The Ugly

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold…

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold…

Fran Garrison's all in a tizzy because her prize Dachshund, Danke, is having pups, and she has hopes of one of the pups becoming a champion. But at the vet's, her husband Jim is talked into letting Danke wetnurse a Great Dane pup that's been abandoned by his mother. And Jim wants to keep the Great Dane. But Brutus has this problem: he thinks he's a dachshund and he's too big to be a lapdog. But when Fran ridicules Brutus one too many times, Jim's got a plan to prove to everyone (and Fran) that a great dane can be far more than just an ugly dachshund.

Clarkson goes West! In an attempt to find the ultimate American car (or even a half-decent one), US models are pitched against their European counterparts. The trademarks of opinions galore and dry humour are as evident in The Good, The Bad, The Ugly as in any other Clarkson spectacle.

Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco comes across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie meet with Carson and knows they know the location of the gold. All he needs is for the two to …

An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country where civil war threatens a tense peace. Despite his knowledge, once he's there, MacWhite sees only a dichotomy between the U.S. and Communism. He can't accept that anti-American sentiment might be a longing for self-determination and nationalism. So, he breaks from his friend Deong, a local opposition leader, ignores a foreman's advice about slowing the building of a road, and tries to muscle ahead. What price must the country and his friends pay for him to get some sense?

In his first ever stand-up comedy special, Erik Griffin breaks it down while talking about himself, society as a whole and everything in between.