The Way Up Pat

Pat Metheny: "From the beginning, this band has been on a mission. Throughout the group's history, there has been a sense of potential and an abundance of ideas that have been thrilling to explore. The Way Up is a long form piece that describes in detail many of the most pressing issues in our musical lives. The original recording (2004) was a milestone for us, but the tour that followed allowed us the opportunity to discover the piece in front of audiences around the world over the course of a 6 month tour. This film, shot during the Asian leg of that tour in Seoul, Korea, is an accurate and special documentation of the group at its best, performing The Way Up - Live."

The Way Up is the Pat Metheny Group's debut offering for Nonesuch Records. Comprised of a single, sprawling, 68-minute composition by Metheny and Lyle Mays divided into four sections on CD it is an unprecedented new direction for the band. The lineup is the same as on the live Speak of Now from 2003 Metheny and Mays on keyboards, bassist Steve Rodby, drummer Antonio Sanchéz, and trumpeter/vocalist Cuong Vu. New to the roster is Swiss/American harmonicat Gregoire Maret.

Pat Martino on the way up. Mostly quartet recordings for the brilliant guitarist. "Willow," a dark, understated gem. Contains seven tracks, three by Martino, three standards, and Joni Mitchell's "Both Sides Now." Guitar students should study this one.

Irish Power Trio led by former Mama's Boys and Celtus guitarist/violinist,singer and songwriter Pat McManus. Band members are Pat McManus, Marty McDermott & Paul Faloon. Over the years Pat has also written, recorded and performed with a massive amount of other bands and artists. From such diverse artists as pop pin-up Samantha Fox to Trip Hop record producer, rapper and actor Tricky…..Prog-Rock icons Wishbone Ash to Grammy-nominated musician John Parr with award-winning film composer Harald Kloser and from Spike & The Quireboys to local traditional music projects “Hidden Fermanagh” & “Cool Celi”…… and so many more too numerous to mention.

After two decades, the Smithereens were no longer in step with the times and they no longer cared – they do what they do because they love it, not because it's fashionable. They were at that point with 1994's A Date With the Smithereens, but that record was hurt by a weird undercurrent of bitterness and Pat DiNizio's songwriting slump…