The Web I Spider

Out with the old, in with the new: gone was John L. Watson, standing, or rather sitting at the keyboards. In his stead came Dave Lawson, and in celebration of his ensnarement by the band, gone too was the "The" in Web. The new-look Web released the group's third and final album, I Spider, in 1970. It was also their best, bringing to fruition the group's sound and leaving behind the rather stumbling genre experimentations of yesteryear. Moving strongly into progressive rock, the band strode far afield from the psychedelic meanderings they'd undertaken on their last set, Theraphosa Blondi.

The Web are perhaps best known for their progressive rock classic I Spider (available on Esoteric Recordings), an album of innovation that continues to draw comparisons with the work of Van Der Graaf Generator at that time. The Web began life as a jazz and soul influenced outfit, fronted by singer John L. Watson, enjoying Top Ten hit singles throughout Europe. By the time of Theraphosa Blondi the band underwent a metamorphosis, with their music taking on more Jazz and Progressive influences, resulting in an excellent album that is rightly seen as a precursor to both the album I Spider and the band'sevolution into the group Samurai.

The Web are perhaps best known for their progressive rock classic I Spider (available on Esoteric Recordings), an album of innovation that continues to draw comparisons with the work of Van Der Graaf Generator at that time. The Web began life as a jazz and soul influenced outfit, fronted by singer John L. Watson, enjoying Top Ten hit singles throughout Europe. By the time of Theraphosa Blondi the band underwent a metamorphosis, with their music taking on more Jazz and Progressive influences, resulting in an excellent album that is rightly seen as a precursor to both the album I Spider and the band'sevolution into the group Samurai.

V.A. - The Amazing Spider-Man 2 (2014) [OST, Deluxe Edition]
(Hans Zimmer, The Magnificent Six, Pharrell Williams, Johnny Marr)
MP3 320 kbps | Tracks: 31 | 01:55:20 | 280 Mb
Genre: Score, Soundtrack | Label: Columbia Records, Madison Gate Records

The Amazing Spider-Man 2 (released as The Amazing Spider-Man 2: Rise of Electro in some markets) is a 2014 American superhero film featuring the Marvel Comics character Spider-Man, directed by Marc Webb and released by Columbia Pictures. It serves as a sequel to the 2012 film The Amazing Spider-Man and was announced in 2011. The studio hired James Vanderbilt to write the screenplay and Alex Kurtzman and Roberto Orci to re-write it. Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan, Campbell Scott, Embeth Davidtz, Colm Feore, Paul Giamatti and Sally Field are set to star.

Breathtaking and magical, the Turtle Island String Quartet present a piece of art that sends a pleasing and haunting rush though the listener's bloodstream. Opening up with the title track, "Spider Dreams" takes one on a fateful journey to musical bliss, opening up the listener to a variety of intriguing emotions. Whoever dares to take such an adventurous ride with the quartet will be richly rewarded. "Texas Tarantella" bursts with flavor and textures which only the most brilliant quartet groups can deliver. A

Breathtaking and magical, the Turtle Island String Quartet present a piece of art that sends a pleasing and haunting rush though the listener's bloodstream. Opening up with the title track, "Spider Dreams" takes one on a fateful journey to musical bliss, opening up the listener to a variety of intriguing emotions. Whoever dares to take such an adventurous ride with the quartet will be richly rewarded. "Texas Tarantella" bursts with flavor and textures which only the most brilliant quartet groups can deliver. A

“It’s important to bare my soul the way I have,” Frank Carter tells Apple Music. “I have a platform and a responsibility to use it for good, to ask questions and make statements that I know other people feel but maybe don’t have the bravery or the means to.” End of Suffering, Carter’s third album with The Rattlesnakes, is the product of two years of unflinching self-reflection. Confessional and courageous, it spans moments of both great joy and profound despair. “I’ve constantly validated myself through the opinion of others,” he says. “I’ve looked to fill that void with drugs and alcohol and sex and relationships, and they’ve all fallen short. It can only come from within. We’re human: We’re very complicated, we’re extremely multifaceted. The minute you try and repress any one of those faces, that’s when the problems start.” The music soundtracking these reflections is equally searching and absorbing. “We made sure that everything’s in there, from techno and dance through to Elton John and Black Flag.” This is Frank’s track-by-track guide to his journey.