The Wings of The Morning

This is the Moody Blues installment in Universal Music's Collected series. The 54 selections span the band's nearly 40-year career – from early British Invasion-era songs through to the 2003 seasonal offering December. The original lineup hailed from Birmingham, England, and featured Ray Thomas (harmonica/vocals), Mike Pinder (keyboards/vocals), Denny Laine (vocals/guitar), Graeme Edge (drums), and Clint Warwick (bass/vocals). They had a massive worldwide smash with a remake of Bessie Banks' "Go Now" in early 1965. However, they suffered from the inability to provide a suitable follow-up, despite the undeniable groove heard on the blue-eyed soulful "From the Bottom of My Heart (I Love You)."

Digitally remastered and expanded deluxe edition of this 1995 album from the Alt-Rock band led by Billy Corgan. The Deluxe Box Set's 5 CDs include 64 bonus tracks of previously unreleased material or alternate versions of "Mellon Collie" era songs. The bonus content and special features were curated from the band's archives by Corgan, and have been painstakingly remastered for the first time from the original master tapes by Bob Ludwig.

Country Irish star Nathan Carter was originally born in Liverpool in 1990 to Irish parents, but at age 18, he decided to make the move to his parents' home country. With an upbringing filled with music – at age four he could play the accordion and at age ten he won the All-Ireland Title for Traditional Singing – Carter would naturally gravitate toward the industry. His debut album, Starting Out, appeared in 2007, with the album's mix of country and Celtic influences helping revive the Country and Irish genres in Ireland and England. Becoming a firm favorite in Ireland, Carter released his sophomore album, The Way That You Love Me, in 2010; Time of My Life arrived the following year. In 2012, with the release of his fourth album, Wagon Wheel, Carter's career really took off. Peaking at number six on the Irish album charts, the album cemented his position as the leader of the new Country and Irish scenes. 2013's Where I Wanna Be reached the top spot of the Irish album chart and two years later, his seventh album, Beautiful Life, did the same, and he reached the U.K. album chart for the first time. With a U.K. tour booked for that year, Carter continued to perform, wowing crowds in both the U.K. and Ireland.

The Ultimate Country Love Songs Anthology contains the definitive Artists & Country. The Best hits from Charlie Rich, Forester Sisters, Earl Thomas Conley, George Jones and many more.

Brand New, Mid-Priced, X3 CD Compilation, In A Card Fold-Out Digipack. Another JV With Universal. This Is A X58 Song Album, Featuring The Greatest Soulful Late Night Classics. Includes:- Whitney Houston, Smokey Robinson, Sade, Marvin Gaye, Phyllis Nelson, Commodores, Dionne Warwick, Stevie Wonder, Brenda Russell, Billy Ocean, Diana Ross, Barry White, Nina Simone, Bill Withers, Gladys Knight, Billy Paul, Dusty Springfield & More…

This is a fan's dream. A monumental 2012 collection with all 59 albums that the legendary Johnny Cash released on Columbia from his arrival from Sun Records in 1958, until he was unceremoniously dropped by the label 28 years later. Additionally, it includes three bonus discs: "Johnny Cash With His Hot & Blue Guitar", which includes recordings from Cash's pre-Columbia period with Sun Records, and the two-disc "The Singles Plus", with singles Cash released on Columbia, plus Cash's guest appearances on other artist's albums. A great Christmas gift for all my Avax friends. Enjoy.

Unlike other labels subjected to exhaustive multi-disc retrospectives like this whopping ten-disc Revolutions in Sound: Warner Bros. Records – The First Fifty Years, Warner Brothers never embodied a scene or sound: they've always embodied what a major label should be – a dominant force that chronicles and dictates the sound of the mainstream. Coming out at the tail-end of 2008, when the influence of major labels is on a slow steady decline, Revolutions in Sound can be seen as a portrait of a time that's beginning to recede into the past: a time when there was such a thing as mass entertainment, when the pop audience all shared a common bond of hit records they either loved or rallied against. Perhaps the greatest things about this monumental box set is that it captures that colossus while also illustrating that for a while, majors did take risks. Of course, Warner was the riskiest of all the majors, never held back by an anti-rock & roll sourpuss like Mitch Miller, who struggled to keep CBS out of the tumult of the '60s (this with no less than Bob Dylan as the label's flagship rock artist). Instead, Warner embraced the underground, recording some of the strangest to shake out of the '60s, and that adventure fits a label that turned to rock & roll to help establish themselves as a real player at the turn of the '60s.