Johnny Winter begins Raisin' Cain, his ninth studio album since signing to CBS Records in 1969 (his records are now issued on the Blue Sky subsidiary), with "The Crawl," a rock & roll dance tune, and he ends it with "Walkin' Slowly," which employs a Fats Domino-style New Orleans rhythm and the saxophone work of Tom Strohman. The two songs serve to reinforce Winter's allegiance to his roots in ‘50s rock, which define him as much as his blues work. In between these bookends, he presents his usual mixture of familiar cover songs and specially written (by others, that is) material, all of which serves, as usual, to showcase his fast-fingered lead guitar playing. His slide guitar dominates "Sittin' in the Jail House," for example, while much of the disc's second side is played in a Chicago blues style that recalls his recent efforts as producer to give Muddy Waters a late-career renaissance, notably the side-opening performance of Waters' "Rollin' and Tumblin'." A notable inclusion is a cover of Bob Dylan's "Like a Rolling Stone".
There’s no shortage of Christmas music out there that can evoke the holiday spirit. But it takes a master of groove and swing like Warren Wolf to conjure a true feeling of Christmas Vibes. On his new album, the vibraphone great and father of five offers an album of jazzy Yuletide cheer sure to provide the ideal soundtrack to the season for the hippest families on the block. Wolf takes an even more prominent role than usual on Christmas Vibes, playing all the piano and keyboard parts as well as spotlighting his usual virtuosity on the vibes. In part, it was the outcome of necessity: the album was recorded in mid-March, just as much of the country was beginning to shut down due to the COVID-19 pandemic, necessitating some last-minute changes of plan. But it also gave the leader a long-overdue opportunity to showcase his multifarious talents.
There has always been more to the Johnny Winter story than meets the eye, and if stepping into the role of a whirlwind albino electric blues guitar player from Texas with a brilliant slide style was the very role he was born to fill, he took a while to get there. For starters, he was born in Mississippi, which might explain something, and then grew up in Texas, where he played clarinet before switching over to guitar at the age of 11. Early on he played country before discovering the blues, and realizing there was no money and little future in playing the blues, he turned to studio pop in the early '60s. Times change, though, and by the end of that decade Winter had returned to the blues, where being an amazing electric guitar player with a roaring voice brought him his true calling. That's where this four-disc, 56-track box set picks up the story, the first such set to span the commercial and in-the-public-eye portion of Winter's career, beginning in 1968…