The World Today June 2011

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

The Unknown War was a landmark television documentary series about the Soviet struggle against, and ultimate victory over, the Nazi war machine. In 1977-78, Rod McKuen traveled to Russia to supervise the scripts and write the score for this groundbreaking series that captures both the gripping detail and the epic sweep of Hitler's brutal invasion and the four-year battles that followed.

Although Django Reinhardt s Gypsy Swing legacy has a worldwide following today, we shouldn t overlook the years when the style went into decline after his death in 1953. During years of oblivion, Django s music was handed down in trailer parks and caravans, played at gypsy-gatherings and swapped by collectors of rare records. Thanks to a few devoted musicians, this music was saved from darkness. Romane was one of the pioneers in the revival of Django s style. Today, Frémeaux celebrates Romane s importance with this first volume of a complete set of his recordings entitled Swing for Ninine.

Newly found treasures from the Swiss DRS Radio Archives: 12 previously unreleased tracks by the venerated piano player and singer Elsie Bianchi, produced with different musical formations between 1960-1962 for Radio Zurich and Radio Basel. „Unreleased LP“ following her great „Sweetest Sound“ and „Atlantis Blues“ albums, with fine arrangements for trio (with Siro Bianchi, Fritz Stähli or Kenny Schmidt) and even jazz orchestra on some recordings, including such greats as “I Remember Clifford”, „But Not For Me“, „Fly Me To The Moon“, „Secret Love“ and „Misty“. Remastered from the original radio tapes at 24 bit/ 48 khz, comes in unique „old photo“ cover with unreleased pictures from the vaults of Elsa and Siro Bianchi plus new liner notes.

Bachar Mar-Khalifé
Born in Beirut, Lebanon, on 13 February 1983, Bachar Khalife’s first encounter with stones was when his comrade Kifah, hiding in a tree, threw a well-sized rock that hit him in the head. That was his first encounter with stones.

The history of Guinness, one of the world's most famous brands, reveals the noble heights and generosity of a great family and an innovative business.