The Zombies

Aside from the Beatles and perhaps the Beach Boys, no mid-'60s rock group wrote melodies as gorgeous as those of the Zombies. Dominated by Colin Blunstone's breathy vocals, choral backup harmonies, and Rod Argent's shining jazz- and classical-influenced organ and piano, the band sounded utterly unique for their era…

The Zombies: BBC Radio Sessions: two-CD set is the first complete collection of the Zombies BBC Radio broadcasts ever released on CD. The album includes five previously unreleased tracks that were not included on the limited edition vinyl album issued in 2015…

In 1969, the Zombies landed their biggest hit with the moody, light psychedelia of "Time of the Season," but it was too late for the group to enjoy it much, as they had been broken up for over a year when the track from Odessey and Oracle belatedly took off on American radio. However, no one in the record business will ever pass on an opportunity to follow up a hit, and since original members Rod Argent (keyboards) and Chris White (bass) had been writing songs together with a new group in mind, it took only so much persuading to get them to cut a few singles under the name the Zombies, most patterned after the languid but artful tone of Odessey and Oracle…

The Zombies EP Collection, from the See for Miles label, contains the British Invasion bands biggest hits from 1964 through 1966, including "Tell Her No," "Time of the Season," and, in both mono and stereo, "She's Not There."…

Of the literally dozens of memorable bands that emerged from the British Beat scene in the early to mid-'60s, the Zombies were one act that stood out: there was a smart, slightly arty aura to their clever and beautifully crafted melodies, superb vocal harmonies, and a distinct instrumental sound, highlighted by Rod Argent's keyboard work, often using electric piano to memorable effect. Even when the Zombies rocked out or sunk into a tough R&B groove, they could convey a keen intelligence along with their energy, and their more introspective moments gave them a sound and feel that was unique…

35 years since their groundbreaking platinum-certified album Doolittle catapulted the band into the UK Top Ten, and 20 years since their celebrated reformation at Coachella, Pixies are deep into their second act, and in the midst of a creative purple patch. The Night The Zombies Came is Pixies’ tenth album, if you count their classic 1987 4AD mini- LP, Come On Pilgrim, and first new music since 2022’s acclaimed Doggerel LP. 13 new songs that find Pixies looking ahead to the most cinematic record of their career. Druidism, apocalyptic shopping malls, mediaeval themed restaurants, 12th century poetic form, surf rock, gargoyles, bog people, and the distinctive dry drum sound of 1970s-era Fleetwood Mac are just some of the disparate wonders that inform the new songs.