The Celia Collection

No Vacancy – The Best of The Motels is a compilation album by the new wave band, The Motels released in 1990. This album was released in United States, manufactured for BMG Direct Marketing. The album is a re-labeled version of No Reservations, which was released in Australia two years previously.

No Vacancy – The Best of The Motels is a compilation album by the new wave band, The Motels released in 1990. This album was released in United States, manufactured for BMG Direct Marketing. The album is a re-labeled version of No Reservations, which was released in Australia two years previously.

Collection includes all studio albums in original and expanded remastered editions, also includes compilation 'Catch The Breeze'.

Various Artists - Mambo Mania! The Kings & Queens Of Mambo (1995) {Rhino R2 71881 rec 1949-1980}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 344 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 1949-1980, 1995 Rhino Records | R2 71881
Jazz / Afro-Cuban / Latin Jazz / Mambo / World Fusion / Boogaloo

Mambo Mania! may not be the last word on the Afro-Cuban music of the 1950s and '60s, but for beginners, it's a darn nice place to start. Rhino can usually be counted on to do its homework when assembling compilations, and this superb 18-song CD is no exception. Serious fans of what came to be called salsa will be more than familiar with such classics as Celia Cruz's "Tumba La Cana, Jibarito," Beny More's "Me Gusta Mas El Son" and Tito Puente's "Guaguanco Margarito" – all of which are essential listening for even the most casual salseros.

This 28 CD box set includes the Argo jewels from Marriner’s early recording days with the chamber orchestra he founded in 1958, The Academy of St Martin in the Fields. The edition spans the years 1964-1981, and includes a bonus CD of the first recordings from 1961.The collection concentrates on the Argo years, when the pattern for the Academy’s success was set. Winning performances by soloists such as Alan Loveday and Iona Brown — who in 1974 became Marriner’s successor in directing from the violin – were a key part of the fabric of the Academy’s unique sound. Highlights in this box include the legendary recording of Vivaldi’s Four Seasons, and full performances of Handel’s Messiah and Mozart’s Requiem.