The Financial Time Europe 2021

"Tropical Gangsters" is the 3rd album by Kid Creole and the Coconuts, released on May 10, 1982. Originally conceived as a solo album by band leader August Darnell and titled Wise Guy, his label ZE Records pressured him to change it to a Kid Creole and the Coconuts record and to make it more commercial sounding in order to relieve the label's financial problems. Despite the tensions this caused within the band and Darnell's complaint that the subsequent record was a "cop-out", the more dance-pop oriented sound helped it reached #145 on the Billboard 200 album chart, representing the group's commercial breakthrough in their home country. However, to the surprise of Darnell and his record company Tropical Gangsters was a huge success in Australia and New Zealand, Europe, and in particular the UK, where the album peaked at #3 in the UK Albums Chart and yielded three Top 10 singles. Tropical Gangsters made Darnell a worldwide star, and the album remains both his and the ZE label's most successful record by far.

Templar knights in their distinctive white mantles with a red cross, brave in the face of death rather than fleeing from the enemy, fighting for Christ and the Pope in the Holy Land during the Crusades. This documentary series aims at reconstructing, for the first time, in a complete fashion the evolution of the knights belonging to the Order of Solomon's Temple, whose original goal was to protect pilgrims during their travels to Jerusalem after the victory of the Crusaders at the First Crusade. The Knights Templar grew in power and wealth becoming the earliest banking institution of the Middle Age. They were so rich that they financed the King of France and benefitted from a direct and exclusive link with the Pope.

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The extraordinary Medici family, through a singular exercise of wealth, political ingenuity, and dynastic power, ruled the city-state of Florence for three centuries. Hugely controversial, both in their own time and among later historians and commentators, the list of what they accomplished is nothing short of astonishing

The last great tragédie en musique or “musical tragedy” of the reign of Louis XIV, Alcyone (Alcione, as the title appears in the 1706 edition) is an all-round spectacle poised between the 17th and 18th centuries. From the 17th century it takes its mythological source, its prologue in praise of the king, its high literary quality and its vocation for spectacle, combining choreography and changes of scenery.