The Music Hub

For over 35 years, Texas bluesman Lightnin' Hopkins was known as the leading performer of traditional Texas blues, his distinctive guitar style and sly mix of humor and tradition mixing to make him one of the most popular performers of his day. Moving from the guitar to the piano, Elmar, AR, native Roosevelt Sykes' influential style led to a successful recording career that endured for over half a century. In this release, both musicians sit down to discuss their rich legacies before offering evidence as to just how they made their mark in music history with a pair of unforgettable performances.

Itaipu (1989) is something of a cantata-cum-symphony-cum-oratorio with no clear text. Its topic is the world's largest hydroelectric dam, built on the Rarana River between Paraguay and Brazil, and the piece–in Glass's trademark punctuating minimalism–is filled with distinct South American instrumentation, particularly in the percussion. The music itself is noble, conjuring the human endeavor to build the five-mile-wide dam near the town of Itaipu. The Canyon (1988) is about no canyon in particular but tonally suggests the mystery of canyons in general. Both these compositions are among Glass's better works.