The y in Your Man is Silent

The Rolling Stones - Exile On Main St. (1972) [2CD+DVD] {2010 Promotone Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 729 Mb | MP3 @320 -> 245 Mb
DVD -> 1,54 Gb | All Regions| 16:9 | Dolby AC3/2ch | 29:20 | Subs (en, fr, ger, esp, port, it) | ISO Image
Full Artwork @ 300 dpi (jpg) -> 103 Mb
© 2010 Promotone B. V. / Polydor | 273 429-5
Rock / Blues Rock / Hard Rock

Upon its release more than three decades ago, Exile on Main Street innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece. This new compilation features 10 tracks originally recorded during the Exile era and only recently discovered while working on the reissue project. The unearthed tracks which include such titles as "Plundered My Soul," "Dancing in the Light," "Following the River" and "Pass The Wine" have undergone a unique evolution, while staying true to the essence of the 1972 album. Alternate versions of "Soul Survivor" and "Loving Cup" also are a part of the Exile bonus materials.

Doug Sahm once sang, "You just can't live in Texas if you don't have a lot of soul," and, as a proud son of the Lone Star state, he seemed bent on proving that every time he stepped in front of a microphone. Whether he was playing roots rock, garage punk, blues, country, norteño, or (as was often the case) something that mixed up several of the above-mentioned ingredients, Doug Sahm always sounded like Doug Sahm – a little wild, a little loose, but always good company, and a guy with a whole lot of soul who knew a lot of musicians upon whom the same praise could be bestowed. Pulling together a single disc compilation that would make sense of the length and breadth of the artist's recording career (which spanned five decades) would be just about impossible (the licensing hassles involved with the many labels involved would probably scotch such a project anyway), but this disc, which boasts 22 songs recorded over the course of eight years, is a pretty good starter for anyone wanting to get to know Sahm's music.

There never was a supergroup more super than the Traveling Wilburys. They had Jeff Lynne, the leader of ELO; they had Roy Orbison, the best pop singer of the '60s; they had Tom Petty, the best roots rocker this side of Bruce Springsteen; they had a Beatle and Bob Dylan, for crying out loud! It's impossible to picture a supergroup with a stronger pedigree than that (all that's missing is a Rolling Stone), but in another sense it's hard to call the Wilburys a true supergroup, since they arrived nearly two decades after the all-star craze of the '70s peaked, and they never had the self-important air of nearly all the other supergroups.

There never was a supergroup more super than the Traveling Wilburys. They had Jeff Lynne, the leader of ELO; they had Roy Orbison, the best pop singer of the '60s; they had Tom Petty, the best roots rocker this side of Bruce Springsteen; they had a Beatle and Bob Dylan, for crying out loud! It's impossible to picture a supergroup with a stronger pedigree than that (all that's missing is a Rolling Stone), but in another sense it's hard to call the Wilburys a true supergroup, since they arrived nearly two decades after the all-star craze of the '70s peaked, and they never had the self-important air of nearly all the other supergroups.

Andy Fraser, best known as bass player for Free/Sharks and composer of the rock anthem "All Right Now", released these two underrated albums in 1975/'76, and they have been next to impossible to find until now. Believe it or not, Fraser took much flak at the time for having the nerve to release a "rock" album with bass, drums and keyboards only…

The best-known alter ego of the Harry Vanda/George Young songwriting team (the creative force behind the Easybeats), Flash and the Pan began simply as a between-production project in 1976. By 1979, the project had turned out a novelty hit with the single "Hey St. Peter." A second single, "Down Among the Dead," also became a hit throughout Australia and Europe, inspiring the release of the album Flash and the Pan. American radio began playing import copies which led to a deal with Epic Records. The album would soon reach the Top 100 in the U.S. despite the lack of a supporting tour.