Innovative pianist Katie Mahan presents a lovingly chosen program that brings together the many sides of Mozart's magic.
The series of Mozart symphonies, recorded by Johannes Klumpp with "his" Folkwang Chamber Orchestra Essen at GENUIN, enters the second round. The tradition-steeped orchestra now juxtaposes the first and last symphonies of the Viennese composer of choice: Early and late works in direct comparison, the alpha and omega of Mozart's symphonic cycle, so to speak. The ensemble thus draws connections between works that lie 25 years apart. Its joy of playing and virtuosity brilliantly illuminate Mozart's innovative power and artistic mastery!
"…In short, this CD is a delight from begin to end. It will make you want to see and hear the two pieces performed live because only then can one fully enjoy the virtuosic playfulness and beauty of the musical interchange between the two pianos in the Concerto in E flat major; not to mention the pure divertimento of the Concerto in F major, which is a recreational, uplifting and entertaining." ~musicweb-international
At the tender age of nine, Felix Klieser dreamed of being able to play Mozart's horn concertos. Today, 18 years later, that dream has finally come true and Felix Klieser now performs on the world's foremost concert stages, playing the very works which are part of any horn player's core repertoire. Yet he took his time before recording all four of Mozart's horn concertos: only after releasing three successful albums and winning an ECHO Klassik award and the Leonard Bernstein Award did he go to Salzburg, in September 2018, to record them with the famous Camerata Salzburg ensemble.
Wolfgang Amadeus Mozart composed his last three symphonies in the summer of 1788, and since then they've usually been regarded as a set, even though there's little reason to believe he intended them to be performed together. Unlike Nikolaus Harnoncourt, who came to regard these symphonies as a kind of symphonic oratorio in 12 movements, Richard Tognetti thinks of them as separate pieces that Mozart wrote opportunistically, possibly for a commission that fell through, though beyond that, he lets the music speak for itself.