There Are no Fakes

Derek Bailey - Takes Fakes and Dead She Dances (1998) {Incus CD 31}
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© 1998 Incus Records | CD 31
Jazz / Avant-Garde / Free Improvisation / Guitar

Bailey's first recorded solo performance in seven years is a splendid example of the guitarist at his finest. Two of the ten pieces are from a live concert, including an eerily attractive poetry recital by Bailey of Peter Riley's morbid "Dead She Dances." The other eight selections are short studio cuts. In all, this recording is what we have come to expect from Bailey: atonal swatches of sound, unique styling, changes in tempo, and astonishing creative splashes of acoustic guitar. Patterns emerge, dissolve, fade, and reappear, with the unexpected always the norm. Bailey's unique excursions might be compared to musical approximations of abstract expressionist art, with each number unfolding in unanticipated ways. While the highlight of this CD is Bailey's recital, in which he accompanies himself on guitar, there are plenty of wonderful moments on every track.