Theresa Anderson

Posterity has recorded neither date of composition nor dedicatee of this “pastoral revel,” although modern scholars theorize the work was composed for the birth of Maria-Theresa in 1717. With its strict sequence of recitative, aria and occasional chorus, and gracious allegorical aura, Albinoni seems more inclined to conform to oratorio tradition than to advance the cause of the still-young operatic form. This live 1983 Venice performance (complete with unruly bursts of applause at appropriate moments) suggests the charms of the piece without convincing that it is a milestone. Anderson’s silvery soprano soars in florid passages, while Browne’s incisive mezzo brings unusual depth to Apollo. Scimone leads a superior performance, born of stylistic discrimination and theatrical fire.

I have a collection of 135 titles (142 CDs) issued by Goldmine/Soul Supply record company. This is not a box set but rather it is a collection of albums that are similar in that they all are rare soul compilations by the same company. There are some tracks that are on more than one album but considering the scope and magnitude of this collection, the number of duplicated tracks is small. Some CDs have good artwork, some have none, most have some artwork of varying quality. All are 320 CBR MP3 and are fully tagged. Original post now has added CDs.