Thibaut Garcia

Expressing his own cultural identity, guitarist Thibaut Garcia combines Rodrigo's archetypally Spanish Concierto de Aranjuez with a declaration of l'esprit français: Alexandre Tansman's neoclassical Musique de cour, inspired by the court of Louis XIV. Garcia's heritage is Spanish, but he is French, born in the city of Toulouse, where this album was recorded with the Orchestre National du Capitole de Toulouse and the young British conductor Ben Glassberg. It is completed by four solo pieces by Regino Sáinz de la Maza, the guitarist who gave the premiere of the Concierto de Aranjuez in 1940.

The first joint album from countertenor Philippe Jaroussky and guitarist Thibaut Garcia, À sa guitare takes it's name from a song by the 20th century French composer Francis Poulenc. But it's frame of reference is extraordinarily wide - both culturally and stylistically. It's 22 tracks range across 400 years and music by composers and songwriters from France, Britain, Austria, Italy, Spain, Brazil, Argentina and the USA.

Praised for his “smooth, rich and sweet sound and impeccable virtuosity”, guitarist Thibaut Garcia releases his second album on Erato, a recital of works composed and inspired by Johann Sebastian S Bach.
“Bach has been part of my life as a musician since the very start,” he says. Taking Bach’s mighty Chaconne as his centrepiece, he ranges wide: from Gounod’s much-loved ‘Ave Maria’ and Villa-Lobos’s Bachianas Brasileiras No 5 to music by Agustín Barrios Mangoré, Alexandre Tansman and the contemporary Serbian-American composer Dušan Bogdanović.

Thibaut Garcia pays tribute with El Bohemio to the Paraguayan guitar virtuoso and composer Agustín Barrios (1885-1944). As Garcia explains, “Barrios is an essential composer in the guitarist’s repertoire. His music can be described as a skilful mix of South American popular music – inspired by the jungles of Paraguay – and the Romanticism of Chopin and Schumann, composers he idolised.” El Bohemio duly complements 16 varied works by Barrios himself with three of his transcriptions of famous pieces by Chopin, Schumann, and Beethoven. In addition, the album includes readings of two of Barrios’s poems: ‘Bohemio’, which lends the album its name, portrays the composer as a wandering troubadour; ‘Profesión de fé’ (Profession of faith) honours the Guarani, the indigenous people of Paraquay.

Guitarist Thibaut Garcia proves here that all roads lead to and from J.S. Bach. In a colorful homage to the 18th-century German master, arrangements of Bach’s music for guitar sit alongside five composers’ own tributes. Garcia begins his journey with Agustín Barrios’ Baroque-flavoured La catedral before turning to the album’s cornerstone, a technically and dramatically assured performance of Bach’s solo violin Chaconne. There are some fine discoveries here—Tansman’s Inventions are skilful pastiches while Bogdanovic’s Suite brève shines Bach’s music through a 20th-century prism. Soprano Elsa Dreisig brings passion and poise to Gounod’s Ave Maria and the aria from Villa-Lobos’ Bachianas brasileiras No. 5.