Released by Legacy in the U.K., this compact box set contains 20 albums – inside adequate LP replica sleeves – released by Philadelphia International. When it was issued, it retailed at a price that was roughly equivalent to the sum of three or four full-price titles, which made it a significant bargain. These albums don't represent the absolute best that PIR had to offer; instead, the box offers an assortment of commercial hits and misses, creative masterpieces and not-quite-failures, and showcases a significant portion of the label's roster.
Nat King Cole could charm most listeners by simply singing a few lines from the phone book. His delivery is so intoxicating that even less-than-stellar material doesn't cause so much as a blink of the eye. This is true with Classics' collection of some of his 1947-1949 cuts, where hardly a classic standard or hit is in sight. What one does get, though, is a generous dose of Nat Cole and the trio's slow-riffin' best . While ranging from the ballad perfection of "How Lonely Can You Get" and "Lost April" to svelte blues sides like "My Mother Told Me," Cole, guitarist Irving Ashby, and bassist Johnny Miller show how they perfected the piano trio template forged by the singer's first group with guitarist Oscar Moore and bassist Wesley Prince…
Includes the following albums - Pretty Baby, Sleep Warm, A Winter Romance, This Time I'm Swinging, Dino Italian, Love Songs, Cha Cha Cha De Amour, Free Style, Dino Latino.
Viktor Lazlo (real name: Sonia Dronier) is a French-Belgian singer of Grenadian and Martiniquan descent. She studied in Belgium, where she is primarily known. Her biggest hit was "Breathless" in 1987. That year she also hosted the Eurovision Song Contest 1987 held in Brussels. Dronier took her stage name from Paul Henreid's character Victor Laszlo in the 1942 film Casablanca. She sings in French, English, Spanish and German. Most of her albums were released in an English/international and a French version. Also, numerous compilation albums have been released.
Compilation CD's. Those Classic Golden Years - An Essential collection the second half of the sixties and the early seventies…
“Better be good,” Gregory Porter quips, just before opening his mouth to sing for a crowd of thousands in one of London’s most historic venues. And it is good. One Night Only, a program venerating Nat “King” Cole (along the lines of Porter’s 2017 studio album of his songs), finds the authoritative baritone in a lush setting with a 70-piece orchestra led by famed arranger Vince Mendoza. But despite a prevalent focus on ballads—including the murderous, Cole Porter-penned “Miss Otis Regrets,” subject to intriguingly knotty reharmonization—Porter preserves the core of swing and soul that’s so central to his small-combo identity. Chip Crawford’s piano solo on “Pick Yourself Up,” Tivon Pennicott’s bebop tenor sax turns on “L-O-V-E” and “Sweet Lorraine,” bassist Jahmal Nichols’ bluesy aside on “When Love Was King,” the creative funk abandon of the quintet on the finale encore, “Don’t Lose Your Steam”: This is Porter in his element, formal setting or otherwise.