Whereas Veronica Swift’s 2019 Mack Avenue Records debut, Confessions, contained songs that played out like pages from her personal diary, on the captivating follow-up, This Bitter Earth, she flips by crafting an ingenious song cycle that tackles sexism (“How Lovely to Be a Woman”), domestic abuse (“He Hit Me”), environmental issues, racism, xenophobia (“You Have To Be Carefully Taught”), and the dangers of fake news (“The Sports Page”). The singer-songwriter gathered material that covers multiple genres, including jazz, American musicals, and contemporary indie-rock fortifying her position as a leading force in genre-bending song presentation.
Shreveport, LA native Laverne Butler came up in a musical family, and she's learned her lessons well. She sings jazz, blues and gospel in a manner quite reminiscent of Nancy Wilson, with a sleek, supple voice that oozes class. There are no gimmicky affectations or cutesy inflections, just straight soul. Backed by pianist/producer Bruce Barth and bassist John Webber – both first-class players – and drummer Klaus Suonsaari, Butler sings some of her favorite standards known worldwide. The CD starts with a string of tunes, including a swinging "This Bitter Earth," a ballad treatment of "Please Send Me Someone to Love," and a slow "Hit the Road Jack" – all employ background singers, sometimes using sweeping doo-wahs or call-and-response jiving. An up blues, "One for My Baby," (without the singers) lets Butler cut loose and show she can stand on her own.
32Jazz continues to reissue much of the former Muse label material; compiled here, much to the company's credit, are 11 tracks from Jimmy Ponder's days at Muse. As another product from Pittsburgh, one of the cradles of jazz, he honors that city through the title of this release, Steel City. Ponder is one of those few who strum the guitar with his thumb, like Wes Montgomery; also like Montgomery, he gets a very warm and soft sound from the stringed box. On this album, Ponder shows he is equally facile with romantic, soulful material, like "You Are too Beautiful," where he is backed by ace pianist Benny Green, and on the Duke Ellington classic "Solitude," where Big John Patton's organ and Bill Saxton's flute take the lead.