This Ends Tonight

The third and final season of the American television series Star Trek: Picard features the character Jean-Luc Picard in the year 2401 as he reunites with the former command crew of the USS Enterprise (Geordi La Forge, Worf, William Riker, Beverly Crusher, and Deanna Troi) while facing a mysterious new enemy who is hunting Picard's son. The season is produced by CBS Studios in association with Secret Hideout, Weed Road Pictures, and Roddenberry Entertainment, with Terry Matalas serving as showrunner.

" is a gritty, slow cooked, "southern crime romance", that follows a winding trail down Tobacco Road, through the war torn streets of Baghdad, and into the bright lights and bloody gutters of South Florida...12-Gauge style." -- "Smart as a weasel. Pretty as a southern sunrise. Raw as a freshly stabbed knife wound. LOOSE ENDS is all that. As well as just flat-out good. Damn good." -- If all these adjectives do not convince you how good this comic is, I don't know what will. Writer Jason Latour, only after the second issue has successfully created a noir crime-romance, a most difficult genre to pull off. His artistic team of Chris Brunner and Rico Renzi not only props him up but boosts the over-all look and feel and taste and digestion of Loose Ends and its over-all superlative production values way up there. One gorgeous comic book. And a very, very good read. One other thing: 12-Gauge is an independent publisher, so each and every sale of each and every issue helps--if you can afford to, please buy their comics.

"We've Got Tonight" is the 14th studio album by Kenny Rogers, released in 1983. It is also his last with Liberty Records before signing with RCA Records. The album hit #3 on the country charts and #18 on the Billboard 200 charts. Despite lower rankings than many of his earlier releases, the album was still certified platinum in both the US and Canada.

British Intellengence dispatches Commando Geoffrey Carter on a one-man raid to destroy a munitions plant that manufactures bombs in Nazi-occupied France. He enlists the aid of a patriotic farmer, M. Bonnard, that lives near the plant, over the objections of his daughter Odette Bonnard, who believes that the British were responsible for the fall of France. Her attitude softens toward Carter, who is living with the family as posing as a son, but Odette cannot bring herself to aid in Carter's plan because of her fear of reprisals against her family. She turns informer and the Nazis capture Carter.