This My Bloody Valentine

Smashing Pumpkins - Siamese Dream (1993) [2CD+DVD] {2011 Virgin Deluxe Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 902 Mb | MP3 @320 -> 329 Mb
DVD9 -> 5.05 Gb | All Regions | NTSC 4:3 | LinearPCM, 2 ch | ~ 113m | ISO Image
Full Artwork @ 300 dpi (png) -> 174 Mb | 5% repair rar
© 2011 Virgin Records / Martha's Music | 5099967928927
Rock / Alternative / Indie Rock / Neo-Psychedelia

Digitally remastered and expanded deluxe three disc (two CDs + DVD) edition of this 1993 album from the Alt-Rock band led by Billy Corgan. Features the remastered version of the original album plus a bonus CD consisting of 17 previously unreleased or alternate versions of Siamese Dream era songs, a DVD containing a previously unreleased 1993 live show from The Metro, 13 postcards featuring original album collages and a 24 page booklet that includes lyrics, photos, liner notes and track-by-track annotations by Corgan.

A collection of 20 CD, which includes all the studio albums by English rock band Blur at the moment, also 2 compilations, 1 live and 8 singles.

4 disc, 60 track anthology compiling early work by Warren Defever aka His Name Is Alive, prior to signing to 4AD. This set compiles 3 volumes previously released on vinyl, alongside a bonus disc.

Rebirth takes place when everything falls apart. DIIV—Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums]—craft the soundtrack to personal resurrection under the heavy weight of metallic catharsis upheld by robust guitars and vocal tension that almost snaps, but never quite…

For Rhye’s Michael Milosh, the home is the center of creativity and community. It transcends conventional understandings of walls, stairs and hardwood floors. A culmination of a wayfarer’s journey, the home is a balm for a restless spirit — a place to simply be.

The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms – keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. And when the duo (Tom Rowlands and Ed Simons) decided to supplement their DJ careers by turning their bedrooms into recording studios, they pioneered a style of music (later termed big beat) remarkable for its lack of energy loss from the dancefloor to the radio. Chemical Brothers albums were less collections of songs and more hour-long journeys, chock-full of deep bomb-studded beats, percussive breakdowns, and effects borrowed from a host of sources. All in all, the duo proved one of the few exceptions to the rule that intelligent dance music could never be bombastic or truly satisfying to the seasoned rock fan; it's hardly surprising that they were one of the few dance acts to enjoy simultaneous success in the British/American mainstream and in critical quarters.