The pearl of great price: the German tenor who could make you wish to retract all you ever thought, wrote or spoke about the species, the Mozart tenor who could sound both elegant and manly, the singer who could almost persuade you that Strauss loved the tenor voice as he did the soprano. We hear Wunderlich in this collection additionally as Rossini’s Almaviva, scrupulous with his triplets and almost as careful with his scales. His “Il mio tesoro” drops not a semiquaver and takes the long phrases with confident ease.
Karthago were founded in Berlin by Joey Albrecht (guitar, vocals) and Gerald Luciano Hartwig (bass). In 1970, they engaged the Bolivian percussionist Thomas Goldschmitt (mainly hand percussion) and got a recording contract with BASF. Two additional members were added to their line-up: Ingo Bischof (keyboards) and Wolfgang Brock (drums). "Karthago" was recorded in October 1971 graced with excellent heavy guitar work and the funky, gutsy vocals of J. Albrecht, recalling the Jimi Hendrix Experience and the heavy progressive funk band Funkadelic…