Thomas Wood

The second part of a trilogy of live albums paying tribute to Ronnie Wood's early musical inspirations, Mr. Luck: A Tribute to Jimmy Reed – Live at Royal Albert Hall captures a November 1, 2013 concert at Royal Albert Hall. Mick Taylor sits in with the Ronnie Wood Band, while Bobby Womack, Paul Weller, and Mick Hucknall all take a turn in the spotlight – enough guests to grab the attention of the curious but not enough to overwhelm the proceedings. What happened on the stage was a spirited, loving tribute to the great bluesman Jimmy Reed, whose boogies and shuffles are easy to play and tricky to master. Wood and Taylor have long since absorbed the intricacies of the interplay of Reed and Eddie Taylor, staying faithful to the spirit and opening up the blues to a wealth of solos, including some appropriately greasy harp. There are no reinventions here, but there didn't need to be: saluting Jimmy Reed with just the right amount of heart and humor makes Mr. Luck a rocking good time.

An intricate, deliberately idiosyncratic record, assembled piece by piece, Boulders perfectly captures Roy Wood's peculiar genius, more so than anything else he recorded. All of his obsessions are here – classical music, psychedelia, pre-Beatles pop, pastoral folk ballads, absurdist humor, studio trickery, and good old-fashioned rock & roll – assembled in a gracefully eccentric fashion. Some listeners may find that eccentricity a little alienating, but it's the core of Wood's music. He wrote tuneful, accessible songs, but indulged his passions and weird ideas, so even the loveliest melodies and catchiest hooks are dressed in colorful, odd arrangements.

The gargantuan, galumphing Super Active Wizzo band out of his system, Roy Wood returned to the light, sunny oldies of Eddy & the Falcons with 1979's On the Road Again. As the title makes clear, On the Road Again is Roy Wood's version of a road album, the kind of record that was created on the road to be played on the road – that would be true if Wood were a conventional musician, but he's not, as this was not supported by a large tour and didn't even see a release in his native U.K. Therefore, this record is merely the yin to Super Active Wizzo's yang, a record that is about pop songs instead of instrumental interplay.

Four CD set. SoulMusic Records is proud to present a first-of-it's-kind complete collection of all of the Atlantic and Stax recordings by Carla Thomas, released between 1960-1968. With a total of 94 tracks, Let Me Be Good To You celebrates 'The First Lady Of Stax Records' whose 1961 classic hit 'Gee Whiz (Look At His Eyes)' led to the Memphis-based label's distribution with Atlantic Records. Sequenced by session, the deluxe 4-CD set includes tracks from Carla's four solo albums, plus the famed 1967 King & Queen LP of duets with the late Otis Redding. The 'A' and 'B' sides of all of Carla's singles - including (28) non-album tracks - are featured including Carla's duets with her famous father, Rufus Thomas, along with five live recordings from Carla's 1967 performances in London and Paris with the famed Stax/Volt Revue. Produced by SoulMusic Records founder David Nathan, Let Me Be Good To You - The Atlantic & Stax Recordings (1960-1968) boasts a stellar 8,000-word extensive essay by renowned UK writer Charles Waring with 2020 quotes from Stax executive Al Bell, famed songwriter/producer David Porter, Carla's sister Vaneese (a recording artist in her own right) and former Stax publicist and songwriter Deanie Parker and others.

Four CD set. SoulMusic Records is proud to present a first-of-it's-kind complete collection of all of the Atlantic and Stax recordings by Carla Thomas, released between 1960-1968. With a total of 94 tracks, Let Me Be Good To You celebrates 'The First Lady Of Stax Records' whose 1961 classic hit 'Gee Whiz (Look At His Eyes)' led to the Memphis-based label's distribution with Atlantic Records. Sequenced by session, the deluxe 4-CD set includes tracks from Carla's four solo albums, plus the famed 1967 King & Queen LP of duets with the late Otis Redding. The 'A' and 'B' sides of all of Carla's singles - including (28) non-album tracks - are featured including Carla's duets with her famous father, Rufus Thomas, along with five live recordings from Carla's 1967 performances in London and Paris with the famed Stax/Volt Revue. Produced by SoulMusic Records founder David Nathan, Let Me Be Good To You - The Atlantic & Stax Recordings (1960-1968) boasts a stellar 8,000-word extensive essay by renowned UK writer Charles Waring with 2020 quotes from Stax executive Al Bell, famed songwriter/producer David Porter, Carla's sister Vaneese (a recording artist in her own right) and former Stax publicist and songwriter Deanie Parker and others.

This disc continues Thomas Demenga's project of juxtaposing Bach cello suites with contemporary compositions—by Elliott Carter (12/90), Heinz Holliger, and now Sandor Veress, whose music we can hear growing out of, and away from, its neo-classical roots in Bach's polyphony.

Aaron Thomas - Made Of Wood (2009) {Everlasting REFTOSCD40}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 287 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 2009 Everlasting Records | REFTOSCD40
Rock / Folk / Folk Rock / Acoustic

Aaron Thomas is an Australian singer and songwriter who began writing and playing music about ten years ago. She has toured Australia and Spain and has played music festivals such as Popkomm (Berlin), CMJ (New York) and SXSW (Austin) with his first album Follow the Elephants. Currently resident in Madrid, has just completed recording their second album entitled "Made of Wood" with producer Valgeir Sigurdsson (Bjork, Bonnie Prince Billy, Ane Brun, Coco Rosie, Camille, Sam Amidon, Nico Muhly). Recorded in Madrid with his band and then with Aaron alone in Reykjavik, Iceland, is ready to be released worldwide in January 2010 and here in Spain at the end of October 2009.