Thompson 45

While visiting France in 1956, tenor saxophonist Lucky Thompson recorded over a dozen sessions within a span of just four months, with various groups put together by drummer Gerard "Dave" Pochonet. This CD reissue in Verve's Jazz in Paris series combines two different studio dates. Four tracks feature a septet with an unusual lineup that includes bass trombonist Charles Verstraete and baritone saxophonist Michel de Villers and a rhythm section anchored by pianist Martial Solal. The full group blends very well, with excellent solos by each member of the front line, though Thompson's quartet feature, "Lullaby of the Leaves," is marred somewhat by his squeaking reed. The remaining five selections are by a tentet that includes the entire septet, except Henri Renaud takes over on piano…

Lucky Thompson was very active in the recording studios during his 1956 visit to France; this CD in Verve's attractive Jazz in Paris reissue series features the big toned tenor saxophonist with both a quartet and a tentet. Thompson's lush sound in sensitive interpretations of "The Man I Love" and the less familiar ballad "There's No You" brings Ben Webster to mind. Thompson's original "Tight Squeeze" is an up-tempo jump blues which showcases his harder blowing, more boppish side; while the venerable standard "Gone With the Wind" is a brisk swinger. Pianist Henri Renaud leads the potent rhythm section. The tentet session is less memorable. All of the songs were written by Renaud, and while they are comparable to much of the output of so-called "cool school" of the period, they tend to be a little too conservative. Still, Thompson's playing is at a high label throughout both dates, so bop fans should invest in this enjoyable CD.

Acclaimed pianist and composer Isaiah J. Thompson offers jazz lovers a spirit-lifting gift this holiday season, announcing the release of A Guaraldi Holiday. A tribute to the eclectic music of Vince Guaraldi – work which served as a both an introduction to jazz, and as a childhood sound track for generations of music lovers, Thompson included – the invigorating set was co-produced by Thompson with John Pizzarelli and features 12 fresh tracks, each one an exercise in nostalgic expressionism.

During the '80s, Thompson Twins arguably produced the finest synth-pop singles, and Greatest Hits recollects their industrious years with Arista in clear, digitally remastered sound. Numerous collections exist in the Twins' catalog and nearly equal their studio albums, but Greatest Hits prevails as the most essential as it offers a definitive chronology from 1982's infectious debut "In the Name of Love" through 1987's reflective "Long Goodbye." Featuring 16 tracks, this brimming retrospective recalls MTV's formative years ("Lies"), those unforgettable Dr. Pepper commercials ("Doctor! Doctor!"), the anti-Apartheid movement ("The Gap"), and countless other '80s pop culture memories.

Malachi Thompson is impressive not only because of his talents as a composer and a soloist, but also because of his versatility. The Chicago trumpeter has no problem playing Blue Note-flavored hard bop/post-bop, but he's equally comfortable in avant-garde situations. Though Clifford Brown, Lee Morgan, and Freddie Hubbard are strong influences on Thompson, he has also learned a lot from Lester Bowie. In fact, Bowie is a featured guest on Buddy Bolden's Rag. This superb CD finds Thompson celebrating the contributions of New Orleans cornetist Buddy Bolden, one of jazz's pioneers and a major influence on such greats as King Oliver and Louis Armstrong. It has been argued that Bolden single-handedly "invented" jazz in the 1890s, and while it's a stretch to say that he invented jazz all by himself, he most certainly played a crucial role in its development…

Malachi Thompson is impressive not only because of his talents as a composer and a soloist, but also because of his versatility. The Chicago trumpeter has no problem playing Blue Note-flavored hard bop/post-bop, but he's equally comfortable in avant-garde situations. Though Clifford Brown, Lee Morgan, and Freddie Hubbard are strong influences on Thompson, he has also learned a lot from Lester Bowie. In fact, Bowie is a featured guest on Buddy Bolden's Rag. This superb CD finds Thompson celebrating the contributions of New Orleans cornetist Buddy Bolden, one of jazz's pioneers and a major influence on such greats as King Oliver and Louis Armstrong. It has been argued that Bolden single-handedly "invented" jazz in the 1890s, and while it's a stretch to say that he invented jazz all by himself, he most certainly played a crucial role in its development…

Hopelessly in Love is the debut album by English lovers rock singer Carroll Thompson, released in early 1981 by Carib Gems Records. The album followed, and includes, her two Leonard Chin-produced singles "I'm So Sorry" and "Simply in Love", which topped the British reggae charts. Thompson co-created C & B Productions, a first for a female reggae singer in Britain, and under this credit wrote and produced the album, working additionally with producer Anthony Richards. Backed by Thompson's C & B band, the album exemplifies the soul-infused mellow reggae style typical to lovers rock and Thompson's sweetly voice, with her songs discussing themes of romance and love.