John Wayne – showing off a darker side to his screen persona than we'd previously seen – portrays Thomas Dunson, a frontiersman who, with his longtime partner Nadine Groot (Walter Brennan), abandons a westbound wagon train in 1851 to make his future as a rancher in Texas. Doing so forces him to abandon Fen (Colleen Gray), his fiancee – and when she is killed in an Indian raid a short time later, it taints any good that Dunson might find in the future he carves out for himself, destroying any joy he might derive from life. The sole survivor of the raid is Matthew Garth (Mickey Kuhn), a young orphan who is unusually handy with a gun for one his age – and already knows how to channel his grief and horror at what he's seen, as much as Dunson does. Dunson informally adopts Matt as his son, and over the next 14 years he builds up one of the largest ranches in the entire state of Texas. And all of it is worth nothing, a result of the economic ruin wrought on the state in the aftermath of the Civil War.
Brad Anderson directs the psychological thriller The Machinist, a production of Spain's Filmax company. Christian Bale plays Trevor Reznik, a factory lathe operator who has developed a serious case of insomnia. Lack of sleep has already started to wear down on his brain and his body. When he's involved in an accident at work, his co-workers turn against him. He starts to find strange notes in his apartment and see people that apparently aren't there. Jennifer Jason Leigh stars as call girl Stevie. The Machinist premiered at the Sundance Film Festival in 2004.