Tiberghien

This disc contains some of Szymanowski’s most overtly sensual and vividly gestural music; his lush, exotic textures intensified and crystallized in miniature. From the early Violin Sonata in D minor onwards, evidence of the composer’s unusual brilliance in writing for solo violin is paramount. The Romance in D major Op 23 (1910), first performed in Warsaw in April 1913, already reveals a considerable advance towards the exotic, strangely inward exaltation of mature works. In the extraordinary Mythes (1915).

Mendelssohn may have published only one violin sonata (the early Op 4), but that does not signify any lack of inspiration in the others—left in manuscript. The F major sonata which opens this programme is a particularly substantial and ambitious work.

The music of Gabriel Fauré is at once unclassifiable and inexpressibly beautiful. One must yield to its seductions, savour in it the charm of the unexpected. The cello is the voice of the Fauré mélodie without the words. Its mellowness conceals passion. When Xavier Phillips and Cédric Tiberghien take possession of it, it becomes sensual, incandescent, a bouquet of refined, evergreen harmonies. The Élégie and the Berceuse will never fade, nor will the two late cello sonatas, whose surging vitality is that of a young man of more than seventy!

Trois chefs-d’oeuvre, dont deux quasi inconnus, interprétés de surcroît par deux interprètes épatants, la fine et véhémente Valérie Aimard et le toujours poétique Cédric Tiberghien : …un disque réellement indispensable.

Le médecin raconte les parcours de douze personnes que tous croyaient condamnés mais qui sont parvenus à guérir du cancer en suivant des chemins différents de ceux proposés par la médecine traditionnelle. Groupes de prières, pèlerinages à Lourdes, rencontre avec Dieu…