The folks at Manifesto have done an excellent job in keeping the music of Tim Buckley on the market over the past ten years, even going so far as to release three highly revealing new discs of live recordings. Nicely bookending Buckley's most productive years, The Dream Belongs to Me continued that streak. Split between two 1968 demo sessions and a similar tracking date from 1973, the music contained illustrates that quite a lot had happened to Buckley in the intervening years, both personally and musically…
This is the first collection of rare videos from Tim Buckley's live performances, including 13 full-length songs. The footage spans his entire career, from 1967 to 1974
For an artist whose recording career spanned less than ten years, Tim Buckley seemed to get a lot done. From 1966's self titled debut, to Look At The Fool, his final album released in 1974, Buckley's oeuvre is as broad as it is varied. Ever the experimental troubadour, no other singer of the time was capable of absorbing such a diverse range of styles, whether that be folk, blues, jazz, rock, or classical, Tim was the ultimate when it came to freedom of expression.
UK-only five CD box set containing a quintet of albums from this influential singer/songwriter housed in mini-LP sleeves. Includes the albums Tim Buckley (1966), Goodbye And Hello (1967), Blue Afternoon (1969), Happy Sad (1969) and Lorca (1970). Happy!!! NOT Sad! Prime Tim Buckley finally available. Today I just ran across this listing in Amazon and ordered it within seconds. So I cannot comment on the packaging or sound quality, but being issued by Warner Brothers UK, I am confident that both will be excellent. What I can comment on is: finally, to my ears, the single best Tim Buckley album "Blue Afternoon" is back in print after years of being unavailable. "Blue Afternoon," although comprised of so-called "leftovers" as far as Buckley was concerned, has always been my favorite Buckley album, which I purchased when it came out in 1969.
This is the most important Tim Buckley release since Dream Letter, featuring a singular performance with a jazz-rock lineup that calls to mind Van Morrison’s Astral Weeks. Buckley, father of Jeff Buckley, made his mark with his Southern California folk-rock sound and four-octave vocal range. But this rich weave of accessible, warm, improvisational music reveals Buckley in a light never before captured on tape, including two newly discovered songs (“Blues, Love” and “The Lonely Life”), early drafts of Buckley classics, and a stunning cover of Fred Neil’s “Merry-Go-Round.” Recorded by the Grateful Dead’s legendary soundman Owsley “Bear” Stanley, the infamous LSD chemist, this is one of the treasures of his Sonic Journal archive. Buckley’s performance is incredible and Bear’s thumbprint on the sonics is part of the magic!