For most of M6, Mike + the Mechanics play it fairly safe, offering strongly melodic adult contemporary material with excellent performances. It's the rare track, however, that is truly captivating. The band continues to experiment with electronica influences, though, and it is on those tracks, the anthems "Now That You've Gone" and "When I Get Over You," where the group offers something innovative to fans of its music. In fact, "When I Get Over You" hardly sounds like Mike + the Mechanics at all, and more like modern releases from the likes of Sting and Roxette, with a haunting string arrangement played over pulsating beats and keyboard effects. The rest of M6 sounds similar to Beggar on a Beach of Gold, with prominent rhythm guitars and emotional vocals. While the songwriting is not as strong as on that album, the band continues to show interest in nice production touches such as the crackling record background to "My Little Island."
A hitherto-unreleased electronic masterpiece from Roland Kayn, singular pioneer of cybernetic music. Over a period spanning the late 70s through the early 80s, Kayn (1933–2011) issued a quintet of extended works that quietly but definitively redrew the map of electronic music. Informed by cybernetics and a desire to actualise analogue circuitry as an agency in the compositional process, this music adopted a form that can only be described as oceanic, as side after side of vinyl allowed a wholly new vocabulary of electronic sound to find its shape. This set features a staggering batch of mesmerising computer music realised in 1982-83, roughly between his totemic ‘Infra’ and ‘Tektra’ boxsets. Essential listening for fans of Xenakis, Æ, Cam Deas, Jim O’Rourke, Laurie Spiegel.