Time Sink 2.2.1

2007 six CD box set featuring just some of Blues' greatest performers. Disc One featuring Jimmy Reed and Johnny Winter live at Liberty Hall, Houston, Texas in 1972. Disc Two contains Hound Dog Taylor live at Joe's Place. Disc Three, finds Howlin' Wolf live in Cambridge MA 1966. Disc Four features J.B. Hutto's High and Lonesome. Disc Five contains Eddie Clearwater live at the Kingston Mines 1978. Finally, Disc Six includes Luther ''Snakeboy'' Johnson's They Call Me The Snake.

A party-based RPG about a 3-piece band of dysfunctional friends who, upon signing up to a perfectly normal battle of the bands contest, become cursed with an unusual power.

Bessie Jones, John Davis, and the Georgia Sea Island Singers gained wide renown during the 1960s and ‘70s for their powerful performances of traditional songs from the African American Gullah Geechee community on St. Simons Island, Georgia. Most in the group were born and raised on St. Simons, and could trace their ancestry to the enslaved West and Central Africans who worked on the island’s cotton plantations. Throughout the ‘60s, the Georgia Sea Island Singers were prominent voices in the civil rights movement, bringing hundreds of years of Black musical tradition to bear on a pivotal time in American history.

Bessie Jones, John Davis, and the Georgia Sea Island Singers gained wide renown during the 1960s and ‘70s for their powerful performances of traditional songs from the African American Gullah Geechee community on St. Simons Island, Georgia. Most in the group were born and raised on St. Simons, and could trace their ancestry to the enslaved West and Central Africans who worked on the island’s cotton plantations. Throughout the ‘60s, the Georgia Sea Island Singers were prominent voices in the civil rights movement, bringing hundreds of years of Black musical tradition to bear on a pivotal time in American history.

The early 1970s were a pivotal time for Diana Ross. In 1973 alone – between touring and performing for SRO crowds in Vegas, she managed to record enough material for a number of different projects. Last Time I Saw Him (1973) was just one of several Ross releases that year as she worked on the still unissued To the Baby album, which was filled with songs for her daughters.

Sol Survivor is a Turret Defense game where you construct a stationary defense to protect your colonies from the advancing enemy horde! Deploy stationary turrets, drop in support from orbital weapons platforms, and crush those who would dare to attack you. Play in one of several locations and unique worlds, each with a different look and feel. Battle with advanced creeps who use unique strategies to bypass your defenses. Engage friends in co-operative or competitive multiplayer modes that challenge the limits of traditional turret defense.

Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, is the eighth studio album by British rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies' strongest songs. Although it appeared during a transitional period for the Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album.

Lola Versus Powerman and the Moneygoround, Part One, commonly abbreviated to Lola Versus Powerman, is the eighth studio album by British rock band the Kinks, recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. Musically Lola Versus Powerman is varied, described by Stephen Thomas Erlewine as "a wildly unfocused but nonetheless dazzling tour de force", containing some of Ray Davies' strongest songs. Although it appeared during a transitional period for the Kinks, Lola Versus Powerman was a success both critically and commercially for the group, charting in the Top 40 in America and helping restore them in the public eye, making it a "comeback" album.