To Be or Not to Be

Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.

It's 1941. Robert E. Lee Prewitt has requested Army transfer and has ended up at Schofield in Hawaii. His new captain, Dana Holmes, has heard of his boxing prowess and is keen to get him to represent the company. However, 'Prew' is adamant that he doesn't box anymore, so Captain Holmes gets his subordinates to make his life a living hell. Meanwhile Sergeant Warden starts seeing the captain's wife, who has a history of seeking external relief from a troubled marriage. Prew's friend Maggio has a few altercations with the sadistic stockade Sergeant 'Fatso' Judson, and Prew begins falling in love with social club employee Lorene. Unbeknownst to anyone, the Japanese bombing of Pearl Harbor looms in the distance.

In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at every turn, from his reaction to the war, to how to get ahead in business and in life, to how to relate to estranged mother.

Jacques Becker lovingly evokes the belle epoque Parisian demimonde in this classic tale of doomed romance. When gangster’s moll Marie (Simone Signoret) falls for reformed criminal Manda (Serge Reggiani), their passion incites an underworld rivalry that leads inexorably to treachery and tragedy. With poignant, nuanced performances and sensuous black-and-white photography, Casque d’or (Golden Marie) is Becker at the height of his cinematic powers—a romantic masterpiece.

Eugene (Sam Milby) arrives in Bukidnon with only one intention: to forget his problems at work. But when he meets Raffy (KC Concepcion) and as they travel and go on ridiculous and death-defying activities together, they start to form a friendship that goes beyond Euge's original plan. Raffy helps Euge appreciate himself more and to look at things in a positive way. With Raffy, Euge begins to believe in himself again. Soon, against his own expectations, he admits to himself that has fallen in love with this girl. But life is truly ironic. The moment Euge expresses his feelings for her, Raffy suddenly starts to push him away. She admits that he can never have her, and she doesn't want Eugene to hope for a happy ending with her, because she cannot be loved. Now, it is Euge's turn to make Raffy believe in love again, just as how she reminded him to believe in himself. But is faith enough to change the course of their destiny…

Lindsay Anderson’s If…. is a daringly anarchic vision of British society, set in a boarding school in late-sixties England. Before Kubrick made his mischief iconic in A Clockwork Orange, Malcolm McDowell made a hell of an impression as the insouciant Mick Travis, who, along with his school chums, trumps authority at every turn, finally emerging as a violent savior in the vicious games of one-upmanship played by both students and masters. Mixing color and black and white as audaciously as it mixes fantasy and reality, If…. remains one of cinema’s most unforgettable rebel yells.

Colter Stevens, a US Army helicopter pilot whose last memory is flying in Afghanistan, wakes up on a commuter train. However, he discovers that he has assumed the identity of another man. 8 minutes later, the train explodes and Stevens finds himself in some kind of pod. He then talks to someone named Goodwin, who tells him he has to go back and find out who the bomber is. He is sent back to go through the whole thing again and attempts to find who the bomber is but fails. The bomb goes off and Stevens finds himself in the pod again. He is sent back another time, yet still cannot find out anything……