'Black Radio' and 'Black Radio II' are landmark albums that have shaped the genres of jazz, hip hop and r&b for the past decade. Direct lines can be drawn to Kamasi Washington, Thundercat, Kendrick Lamar, and black music writ large. For 'Black Radio III', 4-time grammy winner Robert Glasper cements his legacy as producer, curator and cultural icon. These collaborations range from the most powerful voices in contemporary black music (Killer Mike, ty dolla $ign, D Smoke, PJ Morton) to the most important lyricists and performers of the past 30 years (Jennifer Hudson, Ledisi, Common, Gregory Porter, Musiq Soulchild, India.Arie). 'Black Radio III' is also a statement for these times. It is Glasper's most direct statement of the frustration and opportunity of a world disrupted by social change. It is at once beautiful, powerful and innovative.
The fifth full-length from singer Inara George and multi-instrumentalist Greg Kurstin, Interpreting the Masters, Volume 2: A Tribute to Van Halen both sheds new light on the glory of classic VH and further proves the playful brilliance of the bird and the bee. The album follows Interpreting the Masters, Volume 1: A Tribute to Daryl Hall and John Oates, a 2010 release hailed as “wink-free pop bliss” by Entertainment Weekly. This time around, George and Kurstin find common ground with their source material in a shared affinity for fantastically intricate rhythms, unforgettable melodies, and—most essentially—a certain ecstatic spirit imbued into every song.
The Cinematic Orchestra are back with a definitive new album that explores a timeless question of vital importance in 2019 - what to believe? Founding member Jason Swinscoe and longtime partner Dominic Smith have enlisted album contributions from collaborators old and new: Moses Sumney, Roots Manuva, Heidi Vogel, Grey Reverend (vocalist on Bonobo’s 'First Fires’), Dorian Concept and Tawiah (Mark Ronson, Kindness), Miguel Atwood-Ferguson (Flying Lotus, Anderson Paak, Thundercat, Hiatus Kaiyote) features on strings and photographer and visual artist Brian “B+” Cross collaborated with Swinscoe and Smith on the album’s concept. The record was mixed by multiple Grammy winner Tom Elmhirst (David Bowie, Frank Ocean, Adele) in Jimi Hendrix’s legendary Electric Lady studios. The album artwork comes courtesy of The Designers Republic™ (Aphex Twin).