Hello, Dolly! is a 1969 romantic comedy musical film based on the Broadway production of the same name. The film follows the story of Dolly Levi (a strong-willed matchmaker), as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
HEAD ON (1971) is the most ambitious and adventurous work in Bobby Hutcherson's discography. Though the composer/bandleader/vibraphonist did contribute one tune ("Mtume"), HEAD ON mostly features the ambitious compositions and arrangements of Todd Cochran, who also plays piano on the session. The resulting music is dense and polyrhythmic, and bracing, drawing parallels to Miles Davis's BITCHES BREW and other first wave fusion albums. Cochran arranges for the 18-piece group here with a mad scientist's zeal but still manages to create precise orchestral textures. Elements of chamber music and funk abound, and Hutcherson's clear, cool marimba and vibraphone work shimmers throughout. This release marks the album's first appearance on CD, giving Hutcherson fans reason to rejoice.
Mosaic Select is a jazz reissue series of numbered limited-edition releases that focus on an artist's important but neglected work in a 3 CD set.
The music on Mosaic Select 14 was recorded live at the Keystone Korner, San Francisco, between May 13, 1978, and March 27, 1979
During his last years, Frank Zappa concentrated on his "serious music," trying to impose himself as a composer and relegating the rock personality to the closet. His last two completed projects topped everything he had done before in this particular field. The Yellow Shark, an album of orchestral music, was released only a few weeks before he succumbed to cancer (the computer music/sound collage album Civilization Phaze III was released a few months later). This CD, named for a plexiglas fish given to Zappa in 1988, culls live recordings from the Ensemble Modern's 1992 program of the composer's music.