What a difference two years makes! In 1963, Bob Dylan was the Ur-folksinger, rendering his protest songs in an unvarnished voice accompanied by his rudimentary acoustic guitar work. In 1965, “the voice of his generation” went electric, his more surrealistically tinged tunes now flaunting full rock 'n' roll support. The now-classic albums may tell part of the story, but to fully experience the sea change in Dylan’s style and its ramifications among his fans, you have to turn to documentary evidence.
This CD is masterful. A wonderful opportunity for those who already know Miles and Monk to hear more of the kind of sound you love. Two giants at their best in a live recording. If you are unfamiliar with the music of these two greats, this CD is a fantastic introduction to their sound. One word of caution, however, though this is a great CD recording of Miles and Monk together, it is by no means the last word, or note, on the kind of music the artists are, or were, capable of. This CD only demonstrates a tiny facet of the broad repertoires of Miles and Monk.
This album draws tracks from Joan Baez's appearances at the 1963, 1964, and 1965 Newport Folk Festivals, a time period in which she was the very epicenter of the folk scene. With her clear, strong, and bell-like soprano, Baez brought together traditional-folk materials with some of the best songs of the then-emerging songwriters of the so-called folk revival (she was the introduction for many to the work of Bob Dylan, Phil Ochs, Richard Fariña, and others), projecting a thematic unity between the old and the new that was instrumental in the success of the 1960s folk boom.
A towering musical figure of the 20th century, saxophonist John Coltrane reset the parameters of jazz during his decade as a leader.
Jazz Icons: Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This DVD is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan and Billie Holiday.
For nearly half a century, Miles Davis (1926-1991) was arguably the preeminent innovator in jazz - rarely staying in the same place twice, experimenting with the most cutting-edge styles and ideas he could imagine. This year, some of Miles' most enduring works for Columbia Records are collected the way they were originally heard: MILES DAVIS: THE ORIGINAL MONO RECORDINGS. Each CD, newly remastered by Mark Wilder at Battery Studios, is housed in a mini-LP replica jacket, faithfully replicating the original LP sleeves. They are encased in a quality slipcase, alongside a 40-page booklet with rare photos and brand-new essay offering in-depth, first-hand accounts from George Avakian, who signed Miles to Columbia in 1955, AND play-by-play from mastering engineer Mark Wilder. This is the true genius of Miles Davis as most people first heard it, the way it was intended to be heard: in mono.
Import 25 CD boxset containing 25 of the finest Jazz albums ever released. Each album is packaged in a card wallet, and the box set includes a 40 page booklet in both English and French. Classic albums included are Miles Davis' Kind of Blue, Dave Brubeck's Time Out, Billie Holiday's Lady in Satin, Nina Simone's Sings the Blues, Erroll Garner's Concert By the Sea, Charlie Parker's Bird and many more!