Tokyo Sonata

These recordings of Beethoven's early quartets are excellent. The Tokyo String Quartet's technique has never been in doubt and needless to say, just as all great string quartets, the members are perfectly synchronized, playing together as one, as if controlled by a single mind.

Kissin's generous lyricism and lovely rubato in Rachmaninov's Lilacs make a distinguished prelude to this recital; but they are only a hint of the revelations to come. The big E flat minor Etude tableau drenches the listener in an extraordinary welter of sound, at once free and controlled, sensitive to harmonic nuance and yet to broader undercurrents as well. And it is followed by a phenomenally articulate C minor, swirling and crackling like a force of nature (with just a couple of accidents on the last page as a brief reminder of human frailty)

Few label founders loom as large in the history of underground music as P.S.F Record's Hideo Ikeezumi. Over three decades and more than 200 titles, Ikeezumi's intensely critical ear guided and assembled a body of music that transcended genre; he exclusively championed artists that were uncompromising in their visions, unconcerned with trends or commercial success.

As the climax of his hugely successful 2018/19 season, in which he celebrated both his sixtieth birthday and the fortieth anniversary of the launch of his sensational career, legendary Croatian pianist Ivo Pogorelich releases an eagerly-anticipated new recording on Sony Classical. This will be his first new album since 1998. The repertoire comprises two sonatas by Beethoven - No. 22, Op. 54, and No. 24, Op. 78 and a work written just over a hundred years later, Rachmaninoffs Second Piano Sonata Op. 36.

Ensemble 415 is a chamber ensemble devoted largely to the performance of Baroque music on period instruments. The numerical reference in the group's name derives from the pitch used for tuning instruments in the Baroque era. In performing chamber music, Ensemble 415 consists of just a few players, but for larger compositions, the number expands to a minimum of 13 and can reach up to as high as 40 performers. The ensemble's repertory has been broad over the years, taking in many Baroque standards by J.S. Bach, Vivaldi, and Handel, as well as lesser known fare by Muffat and others.

Aimi Kobayashi is a leading young Japanese pianist, one of the ten finalists at the Chopin Competition in 2015. Born in Yamaguchi, Japan, on 23 September 1995, Aimi began her piano studies aged three, and made her first appearance with orchestra at the age of seven, followed by her international debut two years later. Since then, Aimi has appeared at the Carnegie Hall in New York no less than four times. Her international career continues to flourish: she was invited by various venues in Moscow, Poland and Brazil, amongst others.

One of the most successful pianists of the generation that came of age at the end of the 20th century, Leif Ove Andsnes is particularly known for his attention to the music of his native Norway. "I always played a lot of Grieg from my childhood," he has said. "I always loved Grieg and I don't know if it's only because I'm Norwegian." He entered Bergen Conservatory in 1986 and studied with Jirí Hlinka, a well-known Czech piano professor. Andsnes made his U.S. debut in 1989, appearing in New York and Washington, then traveling to Canada.