Tonality And Transformation

Luigi Perrachio (1883-1966) and Mario Castelnuovo-Tedesco (1895-1968) were both part of the flowering of Italian instrumental music in the first decades of the twentieth century. Perrachio was born in Turin, and spent his life in that city, performing as a pianist, composing, organizing concerts, and incorporating Piedmontese folk elements in his music.

Composed in 2020 during the beginning of the Covid-19 pandemic, the first incarnation of the work was played as a sound installation at the Kapellen Leprosarium (Leper's Sanctuary) in Hanover, Germany. This sanctuary was built around 1250 and served as a quarantine for those who suffered from the plague and leprosy in the Middle Ages.

A Norwegian Avant-Garde Classic. Svein Finnerud Trio was one of the strongest voices in the Norwegian avant-garde of the late ‘60s/early ‘70s. Unknown outside the country, the trio pioneered forms of musical expression that later found an international audience through the ECM albums of Jan Garbarek, Arild Andersen, and Terje Rypdal. In this context, Plastic Sun is a statement as essential as any other of the period. Now finally available in a remastered edition on CD and in a 180g audiophile LP pressing.

Enhance and Achieve excellence-Powerful introduction, Communication, Business Communication, Presentation & Dress code

These rare treasures take you all across Billie's career-from '35, the year she debuted at the Apollo and first charted, to '59, the year she died. The stunning early performances include a 20-year-old Billie with Ellington in '35 and a 1937 radio broadcast from the Savoy Hotel in NY with the Basie Orchestra; you'll also hear rare rehearsal tapes, her Monterey '58 performance, songs on The Eddie Condon Show, The Tonight Show, The Steve Allen Show, an impromptu recording of Billie and friends singing My Yiddish Mamma, and more with Art Tatum, Lionel Hampton, Johnny Hodges, Lester Young, Coleman Hawkins and more! Includes 129 tracks: Swing Brother Swing; Fine and Mellow; I'll Get By; Billie's Blues; All of Me; Lover Man; Them There Eyes; You're My Thrill; I Cover the Waterfront; Porgy; Tenderly; God Bless the Child; My Man; Moanin' Low; Ghost of a Chance, and more.

“What Wands Won’t Break. Here is my stripped back raw rhythms that only momentarily dawdle in melody. It's the distentions of polite sources into genre specific tempo to make sounds I've cobbled together live, but never committed to record previously. Let the mystical be plain to see, but only implied, as the only whisper on this loudly album.” - Daedelus

Bioscape is about making natural sounds come to life through transformation and motion. It is a multifaceted instrument for organic and moving textures, odd cinematic pulses, earthy risers and impacts, to skin-tingling ASMR sounds, strange effects and underscoring ambiences but Bioscape is also very suitable for subtle playable timbres, with atypical and elusive sounds ranging from resonant keys and textural pads to otherworldly harmonics. Tonality derives from the field recordings alone.

Bioscape is about making natural sounds come to life through transformation and motion. It is a multifaceted instrument for organic and moving textures, odd cinematic pulses, earthy risers and impacts, to skin-tingling ASMR sounds, strange effects and underscoring ambiences but Bioscape is also very suitable for subtle playable timbres, with atypical and elusive sounds ranging from resonant keys and textural pads to otherworldly harmonics. Tonality derives from the field recordings alone.

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