Tony Bennett’s first album of celebrity duets (2006's Duets: An American Classic) featured an impressive cast of superstars answering the call from the dean of pop vocalists, but the arrangements were overly safe – virtually all of them ballads with soft strings or brassy finger-snappers. Duets II follows the first by five years and features, surprisingly, a cast just as star-laden, but also arrangements that are much more dynamic, and suitable for each song and its participants. (Marion Evans, a veteran whose career goes back nearly as far as Bennett's, handles the charts for a few of the best here.)
The dean of American pop vocalists took a different and exciting fork in the road for his third Duets album, recruiting the best Latin vocalists in the world, and rejuvenating classic material like "The Best Is Yet to Come" (featuring Chayanne), "For Once in My Life" (featuring Marc Anthony), "Who Can I Turn To (When Nobody Needs Me)" (featuring Gloria Estefan), "The Way You Look Tonight" (featuring Thalía), and "Return to Me" (featuring ranchera legend Vicente Fernández). Most of the charts are big band – one of the exceptions being the highlight, his duet with Fernández – but crossover fans will note that Bennett's English gives way to his duet partners' Spanish, an intriguing and successful choice.
Bennett, whose recorded legacy has been gathered in a 76-disc boxed set titled The Compete Collection, has been doing that for over 60 years: saving our souls with the greatest songs ever written. The Complete box is an absolute necessity, first because it contains several previously unreleased albums, like On the Glory Road and From This Moment On, a live concert taped in Las Vegas that collectors have been salivating over since 1964.
Tony Bennett and Diana Krall's partnership didn't begin with the 2018 duets album Love Is Here to Stay. Krall popped up on two prior duets albums from Bennett and the pair toured at the dawn of the 2000s, but Love Is Here to Stay marks their first full record together, and it's an elegant affair. Conceived as a tribute to George Gershwin, the album is filled with familiar tunes, but hints of imagination lurk around the edges, such as the revival of "Fascinating Rhythm," the tune Bennett recorded for his first single in 1949. Nearly 70 years separate that version of "Fascinating Rhythm" from this 2018 rendition, and while Bennett certainly sounds older – his voice is slightly raspy, he can't hit the high notes the way he used to, nor does he sing with quite as much force – he still sounds spry and commanding, happily dancing through these cozy melodies, singing with as much rhythm as lyricism.
Lady Gaga and Tony Bennett sang before 2014's Cheek to Cheek – she popped up on his 2011 collection Duets II – so this standards album isn't exactly out of the blue. Furthermore, the two aren't such an odd pair…
Tony Bennett has so many adoring celebrity fans it should come as no surprise that when a major duets album is planned, he's able to draw a roster of the biggest recording stars from the rock and vocal worlds, plus a pair of country music wildcards. (This despite the fact that he recorded an album with several duets in 2001, and a full-album collaboration one year later with k.d. lang.) One surprise is how well producer Phil Ramone paired Bennett with both duet partners and fitting standards – among them Barbra Streisand on the optimist's anthem "Smile," Dixie Chicks for the flapper standard "Lullaby of Broadway," Bono on the wickedly spiteful "I Wanna Be Around," Tim McGraw on "Cold, Cold Heart" (the Hank Williams song that was Bennett's biggest country crossover hit), Stevie Wonder on his own "For Once in My Life," Juanes for "The Shadow of Your Smile" (which was a hit first for the Brazilian Astrud Gilberto), and Sting on the torch song "Boulevard of Broken Dreams."