Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.
Considering Annie Ross's justified reputation as one of the great jazz vocalists, it is disheartening to discover how few solo albums she actually released in her long career...
Thank Clive Davis for this catastrophe. Tony literally vomited before one of the sessions. A fascinating document of a tumultuous time for "classic pop" music.
The first of Tony's many, many "Greatest Hits" collections.
2010 stand-alone single disc release that contains all the bonus tracks featured on the second disc of the Deluxe Edition release of this album (ie: does nOT contain the original album, only the rarities associated with that release). Perfect for collectors who may have missed the double disc version or for those who are in search of all the great tracks that were initially exclusive to the Deluxe Edition.
There is something timeless in the performance of a jazz ballad. By nature, they are very open to unique interpretation. Drummer Tony Moreno inherited an appreciation for ballads from his mother, a professional harpist, which eventually led to Moreno regularly performing them with his Trio. After twenty years of leading the group, Moreno has compiled some of his mother’s favorites to record with the trio on their debut album, Ballads Volume 1.
Never before released in any format! These recordings are among the rarest treasures in jazz, unseen and unheard since Atlantic produced them in 1954, and their release can be considered an event for all the jazz community. This was a relaxed and easy session, essentially valuable for the musicians involved, trumpeter Tony Fruscella (1927-1969), and tenor Brew Moore (1924-1973), most particularly for the former, who died at 42.