Transience is the debut CD from an unusual, worldly (not just ‘world’-y) Australian duo. Racheal Cogan is a widely-travelled, skilled, creative player of the recorder. Forget ‘primary school’ notions of her instrument! Tony Lewis is one of Australia’s finest, most musically-diverse percussionists. When they met and first played together in 2005 they knew their duo would be ongoing, evolving. Transience (subtitled Contemporary Modal Music) has new versions of traditional pieces from Turkey and Macedonia, plus contemporary compositions by Racheal and by the most famous of her teachers/mentors - the Cretan-resident, Ross Daly.
The Ultimate Christmas Album, Vol. 6: WCBS FM 101.1 is another eclectic collection of pop holiday tunes from the '50s, '60s, '70s, and '80s, including Wham!'s "Last Christmas," the Beach Boys' "Santa Claus Is Coming to Town," and Andy Williams' "Let It Snow! Let It Snow! Let It Snow!." Aretha Franklin's "Winter Wonderland," America's "Hark! The Herald Angels Sing," and Connie Francis' "White Christmas" are some of the other highlights from this scattered compilation, which somehow mixes different sounds and eras into a festive celebration.
Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.
Never before released in any format! These recordings are among the rarest treasures in jazz, unseen and unheard since Atlantic produced them in 1954, and their release can be considered an event for all the jazz community. This was a relaxed and easy session, essentially valuable for the musicians involved, trumpeter Tony Fruscella (1927-1969), and tenor Brew Moore (1924-1973), most particularly for the former, who died at 42.