Tootsies And The Fake

Fit to Be Tied was intended to be the definitive Joan Jett hits package, and it nearly succeeds. Since Jett's Blackheart label only secured the rights to her first four solo albums (her most consistent work), the singles from the uneven Up Your Alley – "I Hate Myself for Loving You" (one of Jett's best originals and biggest hits) and "Little Liar" – had to be presented here in alternate versions. While the re-recording of "Hate Myself" and the live version of "Little Liar" are executed faithfully, they may bother fans who want the original recordings.

Credited to Merrell & the Exiles, this is a selection of rarities and unreleased material by Merrell Wayne Fankhauser's mid-'60s band, essentially the one that cut the great rare psych-folk-rock album that was credited to Fapardokly. It's pretty much a collection of outtakes with a few rare non-LP singles thrown in, and as such doesn't measure up to the best of Fankhauser's '60s material. Often derivative of the British Invasion, folk-rock, and early '60s teen pop, it's not bad, just not terribly memorable. The fake British Invasion of cuts like "Send Me Your Love" rank as the highlights. It also has his late-'60s non-LP single cover of Fred Neil's "Everybody's Talkin'," although for some reason it's missing one of his mid-'60s non-LP 45s, "Can't We Get Along"/"That's All I Want From You" - it was reissued on a rarities tape that Merrell himself released, if you can find it…

Tom Petty & The Heartbreakers famously played 20 nights at the legendary Fillmore venue in San Francisco in 1997. 6 of the shows were professionally recorded and this release features many of the high points of the residency. The small venue allowed the band to vary their sets each night; they included re-arranged and distinctive versions of their hits, deep cuts, and many cover versions – paying tribute to the artists that Tom and the band had been influenced by. The 4 CD deluxe edition includes fifty-eight tracks pulled primarily from the last six concerts performed in the residency. Those six shows were professionally recorded and tracks from the setlists in those shows have seen previously release on The Live Anthology and the 2020 expanded reissue of Petty's 1994 album Wildflowers.

Rick Wakeman spent much of the '80s and '90s recording instrumental albums that veered toward either classical or ambient, so 2003's Out There comes as a bit of a shock: it's an honest to goodness revival of the full-throttle prog rock Wakeman pursued on his solo albums in the '70s. A large part of this is due to his decision to form a full-fledged supporting rock band. Called the New English Rock Ensemble, they're a quintet led by Wakeman and featuring Damian Wilson on vocals, Ant Glynne on guitar, Lee Pomeroy on bass, and Tony Fernandez on drums and percussion. They're a powerful and skilled outfit, able to follow Wakeman's shifting tempos and moods with dexterity without ever losing sight of their forceful rhythmic core, which keeps this rock, not new age.

Consider The Best of Everything a companion piece to An American Treasure, the first posthumous Tom Petty compilation. Weighing in at four CDs, An American Treasure was designed as a gift to the devoted who were still in mourning. In contrast, The Best of Everything is aimed at the fan who didn't dig quite so deep, or perhaps to listeners who always liked Petty but never bothered to purchase an album. The Best of Everything relies on the hits that were largely absent on the box set but it takes a similar non-chronological approach to sequencing, a move that emphasizes Petty's consistency as both a songwriter and recording artist. This distinguishes The Best of Everything from 2000's Anthology: Through the Years, which also spanned two discs and contained four fewer songs than this 2019 set. Apart from that notable aesthetic choice, there is a considerable amount of overlap between the two double-disc collections – namely, all the hits Petty had with and without the Heartbreakers between 1976 and 1993, when he switched from his longtime home of MCA to Warner.