Bob Monaco, who did some limited production work on the group's previous release – the Jimmy Ienner supervised Coming Down Your Way – takes over the production reigns totally here on a more cohesive but still undefined version of the Three Dog Night. Danny Hutton seems to be missing in action – and not in the band spin-off S.S.Fools – while this outing feels like a "Two Dog Night" project with the ominous credit "all selections mixed by Chuck and Cory." A couple of decades later, Chuck Negron's name would be erased from the band's website – totally erased from the visibility of Cory Wells and Danny Hutton's ensemble (isn't that like trying to evict Ginger Baker from Cream???) , so this album is a unique look at what Chuck and Cory did while they were still talking!
Bob Monaco, who did some limited production work on the group's previous release – the Jimmy Ienner supervised Coming Down Your Way – takes over the production reigns totally here on a more cohesive but still undefined version of the Three Dog Night. Danny Hutton seems to be missing in action – and not in the band spin-off S.S.Fools – while this outing feels like a "Two Dog Night" project with the ominous credit "all selections mixed by Chuck and Cory." A couple of decades later, Chuck Negron's name would be erased from the band's website – totally erased from the visibility of Cory Wells and Danny Hutton's ensemble (isn't that like trying to evict Ginger Baker from Cream???) , so this album is a unique look at what Chuck and Cory did while they were still talking!
The Band’s first album, Music from Big Pink, seemed to come out of nowhere, with its ramshackle musical blend and songs of rural tragedy. The Band, the group’s second album, was a more deliberate and even more accomplished effort, partially because the players had become a more cohesive unit, and partially because guitarist Robbie Robertson had taken over the songwriting, writing or co-writing all 12 songs. Though a Canadian, Robertson focused on a series of American archetypes, from the union worker in “King Harvest (Has Surely Come)” and the retired sailor in “Rockin’ Chair” to, most famously, the Confederate Civil War observer Virgil Cane in “The Night They Drove Old Dixie Down.”