On this third outing for ECM, pianist/composer Tord Gustavsen comes full circle on Being There. When he signed to the label in 2003, issuing his debut, Changing Places, he and his collaborators – bassist Harald Johnsen and drummer Jarle Vespestad – dug deeply into close-knit quarters, creating a detailed yet expressionistic examination of the more melancholy human emotions. Being There completes a trilogy of elegantly layered, spacious jazz from the most introspective elements.
On the album Opening, Tord Gustavsen reveals a fresh angle to his particularly unique trio investigations into Scandinavian folk hymns, gospel, chorale and jazz, as he introduces a different voice on bass. With a new fellow-traveller on board and its recording premiere in Lugano's Auditorio Stelio Molo, the trio discovers inspired new ways to interact with each other, using innovative approaches to sound and technique in the process. Made up in equal parts of intricately textured improvisations and understated melodic hooks, the group’s conversations bring an enticing unfamiliarity to the language the Norwegian pianist has developed over almost two decades of collaboration with ECM.
"The Ground" reveals a stronger sense of purpose and a greater conceptual rigour than "Changing Places" , the trio's debut album. Without sacrificing the clear-edged melodic sensibility that can already be considered one of the hallmarks of Gustavsen’s writing, the musicians are better able to do improvise within the structure of the pieces. An immediate popular success, "The Ground" topped Norway's pop charts in its second week of release.
“This is the chill-out as a state of grace, and it can go as deep as you like. Sublime,” wrote the Independent on Sunday of the Gustavsen’s trio’s Being There, released in 2007. Over the last decade Tord has explored other ensemble forms and formats, but on The Other Side - recorded at Oslo’s Rainbow Studio in January 2018 – he opens a new chapter in his piano trio story, with faithful drummer Jarle Vespestad, and excellent new bassist Sigurd Hole. Hole’s approach to his instrument, drawing on folk influences as well as modern jazz, is ideally suited to Gustavsen’s slowly-developing, deeply melodic pieces. The album, produced by Manfred Eicher, is issued on the eve of a major tour.
Norwegian pianist Tord Gustavsen has built a huge and enthusiastic worldwide following through his ECM discs and touring, and 'Restored, Returned' will broaden that popularity still further. After a trilogy of trio recordings - 'Changing Places', 'The Ground', and 'Being There' - which explored a clearly-demarcated melodic terrain, here is a strikingly different album from Tord Gustavsen at the head of a reconfigured band. Into the group come two Norwegian improvisers familiar to ECM listeners, bassist Mats Eilertsen and saxophonist Tore Brunborg.