Total Film July 2019

Bernard Herrmann, born in New York in 1911 to Russian immigrants, is best known today as a composer of film music. Most notably he worked with Alfred Hitchcock on classic productions such as North by Northwest, Vertigo, and Psycho, as well as on Orson Welles’s Citizen Kane and Martin Scorsese’s Taxi Driver. But despite his strong ties to Hollywood, Herrmann always thought of himself as a composer who worked in film, and never as a ‘mere’ film composer.

Sir Richard Rodney Bennett’s Gothic opera The Mines of Sulphur is reminiscent of suspense thrillers from Edgar Allan Poe to Alfred Hitchcock. Love, longing, and dark as well as light comedy abound in this macabre tale of greed and retribution set in a haunted manor house in the West of England. The title of the tale, taken from Shakespeare’s Othello, refers to the theme of gradual corruption.

The abundant concert works of Italian composer Nino Rota continue to surface in recordings, many on major labels. Doubtless this is partly because Rota carries marquee value from his association with the Godfather films, but his music, although surely a mixed bag, is often just plain fun. You can break it down into three general categories, which don't necessarily correspond to individual works but are heard in combination. First is the group of marvelously cinematic tunes that make this release of interest to the still-numerous fans of Rota's film music; the Concerto Soirée for piano and orchestra offers a generous selection.

A truly unique and wonderfully American band, the Lovin' Spoonful released nearly all of their creative legacy between 1965 and the end of 1966. The first album, Do You Believe in Magic, hit in 1965, with the second, Daydream, and the third, Hums of the Lovin' Spoonful, arriving in 1966. Also in 1966, the group delivered the soundtrack to Woody Allen's first film, What's Up, Tiger Lily? This set combines that soundtrack with Hums on a single disc, and truthfully, it works mostly because Hums, which contained such classic Spoonful numbers as "Lovin' You," "Rain on the Roof," "Coconut Grove," "Nashville Cats," and "Summer in the City," is such a fine album. Aside from the minor song "Pow" and a redo of "Fishin' Blues," the music on What's Up, Tiger Lily? is of the instrumental soundtrack variety…

Conductor Yannick Nézet-Séguin is as well-loved by the public as he is appreciated by his peers, who awarded him the Canada Council for the Arts Virginia Parker Prize in September 2000. At the helm of the Orchestre Métropolitain du Grand Montréal since March 2000, Yannick Nézet-Séguin has worked tirelessly to broaden the scope of the orchestra’s involvement in a variety of venues, while always maintaining his own rigorous standards and keeping in close touch with the music-loving public.