Total Recall (1990)

This Jerry Goldsmith soundtrack release is worth extended attention. The album is pulsingly rhythmic from the start, beginning with syncopation driven by whipcrack percussion and a clock-precise digital synthesizer pulse, on which Goldsmith builds ascending orchestra chords that sneakily reference Mars from Holst's The Planets without utterly aping the piece; this builds to a climax and changes, softening before managing to indicate menace without using the easy escape of minor chords. For once, despite the inevitable digital synthesizers and distinctive electronic percussion, Goldsmith has fashioned a score that's primarily driven by the orchestra, rather than being primarily dependent on electronic keyboards. To that extent, it's a rather old-fashioned action/suspense score, building and releasing tension in many varied ways.