Sony’s Legacy Recordings continues the long running Bob Dylan ‘Bootleg Series’ as they announce Travelin’ Thru 1967-1969: The Bootleg Series vol 15 which revisits Dylan’s musical journeys to Nashville from 1967-1969, focusing on previously unavailable recordings made with Johnny Cash and unreleased tracks from the John Wesley Harding, Nashville Skyline, and Self Portrait sessions.
This album was recorded in Hollywood USA using the finest studio musicians around, many of whom played in the great bands of America in the swing era. One notable musician who was a jazz pianist himself in the early days of swing was Jimmy Rowles who was a personal friend of Nat. "Arranger Nelson Riddle leads his orchestra, with special guest pianist Jimmy Rowles, through 12 elegant renditions of classic songs associated with Nat King Cole, the majority of which Riddle had initially arranged for him. Originally released on Reprise in 1965, this tribute set includes instrumental versions of "Straighten Up and Fly Right," "Mona Lisa," "Ramblin' Rose," "Too Young," and "The Christmas Song (Chestnuts Roasting on an Open Fire)." Although not essential, this is a respectable reissue that traditional pop fans should be aware of."
It’s not difficult to see why Eluveitie is a folk metal powerhouse. From humble beginnings, the band has grown into an institution that delights its legion of fans with its harmonious blending of traditional folk instruments and death metal. While it has been a few years since the band dropped their latest effort — acoustic offering Evocation II: Pantheon in 2017 — the band has revisited their heavier side and has relished the opportunity to create another heavy album and has returned in 2019 with their eighth studio album Ategnatos…
VOCES8 looks toward home for a breathtaking journey around the British Isles with music that crosses boundaries of both geography and musical genre. The breadth on offer is staggering: Radiohead’s anthemic “Pyramid Song” emerges as a new choral classic and Clannad’s “Theme from Harry’s Game” is haunting in its newly crafted harmonic richness. But the ensemble reaches back, too—a once-lost folk song from the abandoned island of St Kilda (“Soay”) adds mystery, while Tavener’s “Song for Athene,” perhaps best-known from the funeral service of Diana, Princess of Wales, is a throwback to 1997 and a nation in grief. And the original works by British and American composers are simply ravishing. There’s passion and conviction here, and a choral blend that carries each note skyward.