Ce roman marque l’arrivée d’une plume talentueuse dans le paysage littéraire américain. Claire Lombardo, 30 ans à peine, s’inscrit dans la lignée des conteuses que nous aimons tant : Jane Smiley, Anne Tyler ou encore Ann Patchett… Elle signe un portrait de famille aussi drôle que percutant, qui possède un redoutable pouvoir d’addiction. Lombardo réinvente la tradition de la saga dans une version qui flirte avec le soap opera ou la série This is us, sans jamais renoncer à une vraie ambition littéraire. Sa langue est vive, parfois féroce, inventive et rythmée. …
The leap from 1970's Benefit to the following year's Aqualung is one of the most astonishing progressions in rock history. In the space of one album, Tull went from relatively unassuming electrified folk-rock to larger-than-life conceptual rock full of sophisticated compositions and complex, intellectual, lyrical constructs. While the leap to full-blown prog rock wouldn't be taken until a year later on Thick as a Brick, the degree to which Tull upped the ante here is remarkable. The lyrical concept – the hypocrisy of Christianity in England – is stronger than on most other '70s conceptual efforts, but it's ultimately the music that makes it worthy of praise. Tull's winning way with a riff was never so arresting as on the chugging "Locomotive Breath," or on the character studies "Cross Eyed Mary" and "Aqualung," which portray believably seedy participants in Ian Anderson's story.