Train

Typifying the excesses that have frequently been denounced in their genre, UK progressive rock band Gravy Train recorded a series of albums for Vertigo Records and Dawn Records in the early 70s bedecked in grandiose, conceptual artwork. The group’s core members were Norman Barratt (vocals/guitar; b. 5 February 1949, d. 30 July 2011), Barry Davenport (drums), J.D. Hughes (woodwind/keyboards/vocals) and Les Williams (bass/vocals). Their first, self-titled 1970 album was dominated by Hughes’ flute melodies, which earned the group initial comparisons to Jethro Tull, as well as extended rock riffs. One of the songs, ‘Tribute To Syd’, was an obvious salute to the genius of Syd Barrett.

Among the lesser-feted jewels released by the Vertigo label during its swirly-logo purple patch, Gravy Train's restful hybrid of jazz-tinged virtuosity, folky pastorals, and heartfelt vocalizing peaks on this, their second album, and that despite A Ballad of a Peaceful Man doing little more than treading water when compared to the experimental peaks of its predecessor. Part of the album's appeal lies in the then-novel concept of splitting its contents neatly in half, the hard rockers on one side, the softer material on the other. On the whole, the ballads have dated a lot better than the monsters, particularly "Alone in Georgia," which clashes sweet soul with (of all things!) Southern rock and, for some reason, sounds a lot like the Heavy Metal Kids.

The sophomore effort from Georgia-raised, Britain-based vocalist Kristina Train, 2012's Dark Black is a brooding, atmospheric collection of slow-burn pop songs that put her burnished, sultry croon at the fore. Picking up where 2009's Spilt Milk left off, Dark Black finds Train once again working with British singer/songwriter Ed Harcourt, as well as songwriter/producer Martin Craft. Together, they've come up with an album that builds upon Train's twangy Southern roots layered with a baroque, cinematic aesthetic. Train's vocals are often drenched in an echo-chamber sound, often backed with boomy, resonant percussion, languid piano parts, eerie orchestral sections, shimmering baritone guitar lines, and even some light electronic flourishes. In that sense, the album brings to mind the work of such similarly minded contemporaries as singer/guitarist Richard Hawley and neo-soft rock singer Rumer as much as it does the classic soul-inflected '60s sound of Dusty Springfield.

Gravy Train were a progressive rock group from Lancashire, England, formed by vocalist and guitarist Norman Barratt in 1969. Also featuring J.D. Hughes (keyboards, vocals, wind), Les Williams (bass, vocals) and Barry Davenport (drums), the band would record four studio albums. The first two were released on the Vertigo label, the latter two by Dawn Records. In 1973, Gravy Train moved from Vertigo to Dawn Records, the progressive offshoot of Don Kirshner’s PYE Records label. This produced Second Birth — eight tracks, two of which ("Strength of a Dream" and "Tolpuddle Episode") were released as a single. Again it failed to set the charts alight.

Merchants of Light is the second live offering by Big Big Train and is based on the autumn 2017 Concerts at Cadogan Hall, London. It was recorded across three dates 29, 30 September and 1 October 2017, then first released on 27 July 2018. The setlist is made up of 16 tracks and these are drawn from the latest four albums of the band, The Underfall Yard, English Electric, Folklore and Grimspound.

Big Big Train’s Summer Shall Not Fade - Live At Loreley is a blu-ray and double CD set of the band’s legendary performance at the Night Of The Prog festival on 13th July 2018 at Loreley in Germany.
The thirteen song set runs to over two hours. It includes classic material from English Electric, Folklore and Grimspound studio albums, and fan favourite deep cuts Kingmaker and Summer’s Lease. The performance features the full Big Big Train live band, including the late David Longdon, plus a five-piece brass section and is made even more remarkable by the fact that it was only the band’s eighth live show in this incarnation.

An epic progressive rock tour de force, Big Big Train's tenth studio album is its most ambitious yet. Breathing new life into traditional themes and creating a few new ones along the way, the crafts of melody and storytelling beat strongly at the heart of the Big Big Train and inform every track on Folklore. Featuring an eight piece band and brass quintet - augmented by a string quartet - the album provides a superb showcase for David Longdon's emotional vocals and the band's dramatic extended compositions.