Features 24 bit remastering and comes with a mini-description. One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe.
Half of this LP contains the famous session on which Sonny Rollins teamed up with his idol, the great tenor Coleman Hawkins. Actually, the competitive Rollins did everything he could during these performances to throw Hawk off with plenty of sound explorations and free playing, but Hawkins keeps from getting lost and battles Rollins for a tie; pianist Paul Bley plays well too. The remainder of this LP (three selections apiece from the former LPs Now's the Time and The Standard Sonny Rollins) is more conventional but has its moments of interest. The young Herbie Hancock is on piano for all of these tracks and guitarist Jim Hall helps on "Trav'lin Light." Rollins's RCA recordings of the '60s are all worth picking up.
Jimmy Giuffre may not have gotten his due with American audiences outside very specific kinds of jazz circles, but he was loved and respected by other musicians and the audiences of Europe and Asia. His reputation among those groups of listeners and players is well deserved for the radical, if quiet and unassuming path he walked throughout his seven-decade career. These sides, recorded between 1956 and 1959 with guitarist Jim Hall, his most symbiotic collaborator and foil, are at the heart of his reputation as a pioneer – even more so than his killer early-'60s sides (à la Free Fall) with Paul Bley and Steve Swallow.
Just as Sonny Rollins maintained his top position along with John Coltrane, Tubby Hayes, Stan Getz, Zoot Sims and Stanley Turrentine, among others, as one of the premier tenor saxophonists of there generation, he had managed to put out yet another successful ‘standard’ album in 1964 which again found him in absolute top format.