Francisco de Asís Palacios Ortega (Paco to his friends), better known as the "Pali", born May 22, 1928 in the central neighborhood of La Casa de la Moneda de Sevilla and dies in the same city in 1988 Andalusian at age 60. The nickname seems to be that it is because in his youth was thin as a "stick" nothing to do with the image that is identified in the photographs of his albums since "The Pali" eventually gained weight and had to overcome their myopia with glasses whose lenses were increasing the so-called "bottle-ass." Your fat and glasses gave him that peculiar aspect which remind people of Seville, and who disappeared in 1988 and was buried as said on one of their Sevillanas "With my flag of Spain."
With the experimental warmth of '60s French films and the pizzicato flavor of horizontal hip-hop, Simon Green's Bonobo project established the welcome niche of a pretension-free, post-party intellectual chillout. An almost silent figure among Ibizian romanticists, Green began in Brighton, debuting in 1999 with a track on Tru Thoughts Recordings' When Shapes Join Together compilation. Though tempted by offers from Mute and XL after the official issue of "The Scuba EP" and the "Terrapin" single, Green stuck with Tru Thoughts for the acclaimed debut LP Animal Magic.
Pianist Sophia Domanchic gets some wonderfully freewheeling company here – the bass of Mark Helias and drums of Andrew Cyrille – both perfect accompaniment for her long, lively lines on piano! The tunes are all quite long – most stretch past the 10 minute mark – and have a very open, expressive feel – a way of being quite bold on the keyboard, yet still managing to swing, too – the kind of groove that could only come with such accomplished rhythm players like these. The set's got a sparkle and charm that's undeniable – and both Helias and Cyrille get in some beautiful solo moments that are quite inventive. Titles include "Vestiges", "How To", "Dr Licks", "En El Barrio De Triana", and "Aubade".
This is the second and last volume of Naxos’s complete music for solo piano by Rodrigo. It is played by the superb Artur Pizarro. I was enthusiastic about Volume 1 a couple of years ago (see review), even chose it as one of my recordings of the year. I wasn’t alone in admiring it: both my colleagues Steve Arloff and Patrick Waller praised it and it was Editor’s choice in Gramophone. I have no reason to be less enthusiastic this time. Pizarro’s playing is certainly second to none, combining clarity with warmth and being unfailingly rhythmically alert.