Composer Wang Lu’s debut full length recording opens with a sonic portrait of a late afternoon in the life of a Chinese city park, with pre-recorded sounds of conversations layered on top of ephemeral gestures in a mixed instrumentation ensemble. It is the perfect opening of a recording featuring the music by an artist whose ears and mind are always observing the interface between life and music with openness and wonder. Wang Lu is wonderfully adept at painting a scene through sound, using several small gestures that heard together add up to a unique world unto themselves. The ensemble writing that follows in the subsequent movements of Urban Inventory, performed here by the recently formed Third Sound Ensemble, is both virtuosic and also often tongue in cheek, displaying a refreshingly dry sense of humor.
Vertigo represents the summit of the seven-picture, nine-year association between Alfred Hitchcock and legendary composer Bernard Herrmann. Using instrumental and harmonic colour as the main paints in his repertoire, Herrmann deploys brief melodic cells and minimalist techniques to explore the obsessed world of Scotty Ferguson (James Stewart), a retired detective who has fallen in love with a woman from the past. In doing so, Herrmann broke from the post-romantic aesthetic personified by Golden Age masters such as Erich Wolfgang Korngold and Alfred Newman. Highlights include the hypnotic, dream-like "Prelude", the churning allegro con brio of "Rooftop", the haunting love music in "Madeleine's First Appearance", a memorable habanera ("Carlotta's Portrait"), and the cathartic "Scene d'Amour", which has been compared with Wagner's "Liebestod" from Tristan und Isolde. Page Cook, long-time critic for Films In Review, once wrote that Muir Mathieson's performance "remains one of the greatest pieces of film music conducting ever recorded . . . every tempo, every rhythmic nuance, every dynamic inhabits the film." In other words, this is a classic film/music amalgamation that should be in every cinema lover's collection.
Classical Discovery offers an ideal package, providing an overview of classical music and its history in an entertaining and easy-to-understand form. In a lavishly presented cloth-bound book, accompanied by 12 CDs with over 900 minutes of playing time, Classical Discovery tells the story of the classics in word, music, and images from its earliest days until modern times. With Classical Discovery, anyone can gain entry to the world of classical music, whether for the first time or to gain new insights and perspectives.