Trovajoli

Tropicale is the explosion of joy of the Italian economic miracle, the promise of distant destinations becoming all of a sudden tangible, the illusion of a taboo world where everything seems possible. Through rare and unreleased cuts from the CAM Sugar archive, Tropicale traces the incendiary liaisons between Italian film music and tropical culture in the 1960s across bossa nova, samba, Latin jazz, exotica, calypso, mambo and other tropical rhythms.

Romantic Christmas Love Songs and Romantic Music Vol.1 contains the definitive Artists & Christmas and Holiday, Jazz, Easy Listening. The Best hits from Andrea Guerra, Piero Piccioni, Shawn Robinson and many more.

The most beautiful country & western songs by Marcello Giombini, Piero Piccioni, Bruno Nicolai and many more on one compilation!

Tropicale is the explosion of joy of the Italian economic miracle, the promise of distant destinations becoming all of a sudden tangible, the illusion of a taboo world where everything seems possible. Through rare and unreleased cuts from the CAM Sugar archive, Tropicale traces the incendiary liaisons between Italian film music and tropical culture in the 1960s across bossa nova, samba, Latin jazz, exotica, calypso, mambo and other tropical rhythms.

Tropicale is the explosion of joy of the Italian economic miracle, the promise of distant destinations becoming all of a sudden tangible, the illusion of a taboo world where everything seems possible. Through rare and unreleased cuts from the CAM Sugar archive, Tropicale traces the incendiary liaisons between Italian film music and tropical culture in the 1960s across bossa nova, samba, Latin jazz, exotica, calypso, mambo and other tropical rhythms.

There are few World film composers that can boast the prolificacy of Piero Piccioni. Since the early 1950s Piccioni has been a truly innovative composer of film music. In the 1950s he composed under the pseudonym of Piero Morgan, and since his first soundtrack Il Mondo Le Condanna of 1952, many directors sought Piero Piccioni to score the soundtracks for their films: Luchino Visconti, Bernardo Bertolucci, Vittorio De Sica, Roberto Rossellini, Elio Petri, Francesco Rosi, Mario Monicelli, Alberto Lattuada, Alberto Sordi, Luigi Comencini, Antonio Pietrangeli, Lina Wertmuller, Tinto Brass, Dino Risi, are just some of the great directors for whom he scored more than 300 wondrous soundtracks. Swept Away, Le Mani sulla città’, Camille 2000, Colpo Rovente, The 10th Victim, Amore mio aiutami, More Than a Miracle,

There are few World film composers that can boast the prolificacy of Piero Piccioni. Since the early 1950s Piccioni has been a truly innovative composer of film music. In the 1950s he composed under the pseudonym of Piero Morgan, and since his first soundtrack Il Mondo Le Condanna of 1952, many directors sought Piero Piccioni to score the soundtracks for their films: Luchino Visconti, Bernardo Bertolucci, Vittorio De Sica, Roberto Rossellini, Elio Petri, Francesco Rosi, Mario Monicelli, Alberto Lattuada, Alberto Sordi, Luigi Comencini, Antonio Pietrangeli, Lina Wertmuller, Tinto Brass, Dino Risi, are just some of the great directors for whom he scored more than 300 wondrous soundtracks. Swept Away, Le Mani sulla città’, Camille 2000, Colpo Rovente, The 10th Victim, Amore mio aiutami, More Than a Miracle,

There are few World film composers that can boast the prolificacy of Piero Piccioni. Since the early 1950s Piccioni has been a truly innovative composer of film music. In the 1950s he composed under the pseudonym of Piero Morgan, and since his first soundtrack Il Mondo Le Condanna of 1952, many directors sought Piero Piccioni to score the soundtracks for their films: Luchino Visconti, Bernardo Bertolucci, Vittorio De Sica, Roberto Rossellini, Elio Petri, Francesco Rosi, Mario Monicelli, Alberto Lattuada, Alberto Sordi, Luigi Comencini, Antonio Pietrangeli, Lina Wertmuller, Tinto Brass, Dino Risi, are just some of the great directors for whom he scored more than 300 wondrous soundtracks. Swept Away, Le Mani sulla città’, Camille 2000, Colpo Rovente, The 10th Victim, Amore mio aiutami, More Than a Miracle,

For a whole decade, spanning between the second half of the ’50s and the second half of the ’60s, jazz took over the Italian screens. 33 tracks from the CAM Sugar archive that go beyond music, telling the story of Italian cinema, society and of its unmistakable style and charm. A genre that even when nodding to Californian be-bop, to crime jazz or bossa nova still sounds surprisingly original and Mediterranean, elegant, and seductive, either with joyous peaks or with enigmatic and nearly dramatic nuances. The compilation also offers a precious insight into the Italian jazz scene of the times, with its string of formidable soloists and international stars like Chet Baker and Gato Barbieri.