Tuesday Wonderland

Esbjorn Svensson Trio (E.S.T.) - Tuesday Wonderland (2006) {ACT Music SACD 9806-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 377 Mb | MP3 @320 -> 154 Mb
Full Artwork @ 600 dpi (png) -> 135 Mb | 5% repair rar
© 2006 ACT Music | SACD 9806-2
Jazz / Modern Jazz / Post Bop / Progressive Jazz / Piano Trio

Sweden's preeminent jazz fusion band the Esbjörn Svensson Trio, named after the charismatic and inventive pianist, has been a sensation in Europe since the early '90s, capturing numerous Swedish Grammys (including one for Tuesday Wonderland long before its Stateside release), a French Grammy, and gold and platinum awards in their home country, Germany and France. But they deserve more than this – a medal, actually – for finding a unique blend of melodic jazz, classical, electronica and rock – that has earned them an audience of both older jazz lovers and trendy hip-hop kids. It speaks to the freshness of their vibe that their videos play regularly on MTV Scandinavia and they're the only European jazz band ever to grace the cover of Downbeat.

Esbjorn Svensson Trio (e.s.t.) - Live In Hamburg (2007) {2CD ACT Music ACT 6002-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 750 Mb | MP3 @320 -> 277 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 2007 ACT Music | ACT 6002-2
Jazz / Modern Jazz / Post Bop / Progressive Jazz / Piano Trio

The “Jazz album of the decade 2000 – 2010” (London Times). In a word: wow. Since their 1993 debut album, the Esbjörn Svensson Trio, or E.S.T., as it is usually called, have taken the jazz world by storm, winning numerous awards, playing sold-out world tours, topping the charts, and generally enjoying a popularity that's exceeded that of almost any other jazz group in years. The trio was also the first European jazz group to grace the cover of Down Beat magazine, which led to long discussions about the heritage of jazz and the validity of European jazz; and, naturally, it caused some listeners to perceive an artificial hype and discredit the band for simply not being as brilliant as everyone says they are.

Excellent live performance from EST, one of the most substantial creative and explosive modern jazz piano trios in the world today. Skills, improvisation, melody, rythm, vitality, energy and fantastic detailed interplay holds your listenig attraction in a very high level of satisfaction from the start till the end of this recording. One of the best jazz live albums of this decade.

In a word: wow. Since their 1993 debut album, the Esbjörn Svensson Trio, or E.S.T., as it is usually called, have taken the jazz world by storm, winning numerous awards, playing sold-out world tours, topping the charts, and generally enjoying a popularity that's exceeded that of almost any other jazz group in years. The trio was also the first European jazz group to grace the cover of Down Beat magazine, which led to long discussions about the heritage of jazz and the validity of European jazz; and, naturally, it caused some listeners to perceive an artificial hype and discredit the band for simply not being as brilliant as everyone says they are. Well, do yourself a favor and do not listen to the detractors - listen to E.S.T.'s music instead, and this two-hour concert recorded on November 22, 2006 in Hamburg, Germany, is an excellent place to start…

Esbjorn Svensson Trio (E.S.T.) - Live In Hamburg (2007) [2CD] {ACT Music}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 750 Mb | MP3 @320 -> 283 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 2007 ACT Music | 6002-2
Jazz / Progressive Jazz / Electronic / Piano

In a word: wow. Since their 1993 debut album, the Esbjörn Svensson Trio, or E.S.T., as it is usually called, have taken the jazz world by storm, winning numerous awards, playing sold-out world tours, topping the charts, and generally enjoying a popularity that's exceeded that of almost any other jazz group in years. The trio was also the first European jazz group to grace the cover of Down Beat magazine, which led to long discussions about the heritage of jazz and the validity of European jazz; and, naturally, it caused some listeners to perceive an artificial hype and discredit the band for simply not being as brilliant as everyone says they are.