Accordionist Klaus Paier and cellist Asja Valcic have been making music as a duo for ten years. Their playing has kept audiences delighted and critics enthralled: "Breathtaking," said the magazine Der Spiegel; they are "a captivating match" (The Guardian). During this time the two have recorded four albums which have received numerous awards. The duo’s journey together began in 2009 with their debut album "À Deux", and since then Paier and Valcic have proceeded to make their unique accordion-plus-cello sound into a thing of wonder. The titles of the previous albums by these two musicians, who live in Austria, give pointers to the elements that go into the making of their acts of musical creation: in 2013 their path together continued with "Silk Road", followed by "Timeless Suite" (2015), which in turn led to the more opulent "Cinema Scenes", for quartet. The sound is always their starting point: they have a finesse and eloquence from classical music, combined with the free-thinking, quicksilver instinctiveness of jazz, and influences from many parts of the world. And what results is capacious, widescreen music.
The great patriotic opera of the 17th century, recorded here in a lively new performing edition after two decades in the Gabrieli’s touring repertoire. Notoriously difficult to present on disc or in concert, this version presented by Gabrieli was created to allow an obvious musical narrative, despite Purcell’s music often being completely dislocated from much of the original theatre context.
It’s hard to take any Vulfpeck release out of its intended context. While all of their records stand up on their own, there is an inherent strategy in everything they do. Each EP or LP is a logical successor to the last one. As their popularity grows, though, they are exposed to scores of people who are not attuned to their grooves, not privy to the in-jokes and history that informs each new album…