From the Homeric invocation of ethereal opener “Atom Story,” it becomes stunningly clear that It’s Morning, the latest album from the uncategorizable UK ensemble Led Bib, is meant to take the listener on a journey. The wide-ranging and evocative set is also a testament to the distance the band has travelled on its own evolutionary path. If not the endpoint, it at least sits at a far-flung guidepost along a transformative odyssey undertaken by the eclectic ensemble.
Anyone with even a passing interest in the sultry, enigmatic and sensual music of Sorabji needs to have this set. It is a most thoroughly engrossing anthology from a brilliant pianist who is a veteran in Sorabji terms. He has lived with and reflected on this music for approaching forty years. Time and again while listening to this set I was struck by his loving attention to detailing, voicings and speeds. The music communicates Sorabji's striving after transcending the limitations of keyboard, of mechanical action and of the pedestrianly objective.
Once again the groove is catchy, the way of shaping melodies utterly distinctive; these aspects define the sound of Shalosh. And once again, the trio is incredibly tight – after all, the band’s name does mean “three” in Hebrew. On “Tales of Utopia”, Shalosh have taken their music, their way of telling stories through sound, and placed them in the bigger context. Drawing elements from the Old Testament and the Odyssey, they combine Christian and Greek mythology in a way which is individual… rhapsodic. The connecting of world cultures gives a common thread to the album: a young hero is travelling into the unknown. But what is unknown to him is not just the external world, but also the inner self. Every journey also leads to increased self-awareness, and that makes him stronger. “Tales of Utopia” is about how utopian thinking is based on the preoccupation with one’s own self, on concentration and meditation. Keeping that focus well honed functions as the antidote to information overkill.